Tom Waits on Tom Waits: Interviews and Encounters
Chicago Review Press, 1 серп. 2011 р. - 480 стор.
Tom Waits, even with his barnyard growl and urban hipster yawp, may just be what the Daily Telegraph calls him: &“the greatest entertainer on Planet Earth.&” Over a span of almost four decades, he has transformed his music and persona not to suit the times but his whims. But along with Bob Dylan, he stands as one of the last elder statesmen still capable of putting out music that matters.
Journalists intent upon cracking the code are more likely to come out of a Waits interview with anecdotes about the weather, insects, or medieval medicine. He is, in essence, the teacher we wished we had, dispensing insights such as: &“Vocabulary is my main instrument;&” &“We all like music, but what we really want is for music to like us;&” &“Anything you absorb you will ultimately secrete;&” &“Growth is scary, because you're a seed and you're in the dark and you don't know which way is up, and down might take you down further into a darker place . . .;&” and &“There is no such thing as nonfiction. . . . People who really know what happened aren't talking. And the people who don't have a clue, you can't shut them up.&”
Tom Waits on Tom Waits is a selection of over fifty interviews from the more than five hundred available. Here Waits delivers prose as crafted, poetic, potent, and haunting as the lyrics of his best songs.
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At Mission Beach, California, as scores of long-legged, tanned teen- aged girls and bands of roaming hippies burned bonfires on the sand, Waits fell into his own circle, intent on finding his way as a performing and earning musician.
Roz Larman recollected those early years in 2010: I don't really know why Waits was drawn to FolkScene. We invited him to come on the program, and he agreed. It might have been because he could perform live on the ...
HL: I guess you performed in San Diego? TW: I played around San Diego quite a bit for a couple of years while there were clubs still open down there—it's very difficult to find a place to play now. Like Folk Arts—Lou Curtiss still has ...
HL: While writing for Herb Cohen, did you drop out of performing? TW: I just hooted at the Troubadour a lot; that was about it, not too many L.A. appearances. I used to be at the Heritage a lot, but that's in the past.
We were told then that we were in Avery Fisher Hall, in Lincoln Center, and there's where we performed that day, to an audience of nearly four thousand of the rowdiest, most stoned New Yorkers I ever saw. It was the first gig I ever ...
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LibraryThing ReviewРецензія користувача - JosephLYoung - LibraryThing
Tom Waits on Tom Waits by Paul Maher. On paper the idea of publishing a sequential series of personal interviews of Tom Waits sounds intriguing but, in practice it suffered from terminal redundancy ... Читати огляд повністю
TOM WAITS ON TOM WAITS: Interviews and EncountersРецензія користувача - Kirkus
The singer-songwriter-actor-playwright with a rare gift of gab gets a second anthology of interviews.Given the richness of Tom Waits' nearly 40-year career and his unique gifts as a word-drunk ... Читати огляд повністю
November 13 1977A Rumor in My Spare Time
January 23 1979Tom Waits for No One
Heartattack and Vine 1980
Rain Dogs 1985
Late 1985Rain Dogs Tourbook
Franks Wild Years 1987