Tom Waits on Tom Waits: Interviews and EncountersChicago Review Press, 1 серп. 2011 р. - 480 стор. Tom Waits, even with his barnyard growl and urban hipster yawp, may just be what the Daily Telegraph calls him: &“the greatest entertainer on Planet Earth.&” Over a span of almost four decades, he has transformed his music and persona not to suit the times but his whims. But along with Bob Dylan, he stands as one of the last elder statesmen still capable of putting out music that matters. Journalists intent upon cracking the code are more likely to come out of a Waits interview with anecdotes about the weather, insects, or medieval medicine. He is, in essence, the teacher we wished we had, dispensing insights such as: &“Vocabulary is my main instrument;&” &“We all like music, but what we really want is for music to like us;&” &“Anything you absorb you will ultimately secrete;&” &“Growth is scary, because you're a seed and you're in the dark and you don't know which way is up, and down might take you down further into a darker place . . .;&” and &“There is no such thing as nonfiction. . . . People who really know what happened aren't talking. And the people who don't have a clue, you can't shut them up.&” Tom Waits on Tom Waits is a selection of over fifty interviews from the more than five hundred available. Here Waits delivers prose as crafted, poetic, potent, and haunting as the lyrics of his best songs. |
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... performing and earning musician. He never got caught up in Beatlemania in his early teenaged years, nor did he hike to Haight-Ashbury to be among the flower children. Working as a bouncer and doorman at the Heritage on Mission Boulevard ...
... perform live on the radio. I think we were the only live music program in L.A. at that time. One thing I can remember was that I gave Tom a dollar to buy a Rolling Stone magazine to see the review CLOSING TIME (1973) 5.
... performed in San Diego? TW: I played around San Diego quite a bit for a couple of years while there were clubs still open down there—it's very difficult to find a place to play now. Like Folk Arts—Lou Curtiss still has that outfit going ...
... performing? TW: I just hooted at the Troubadour a lot; that was about it, not too many L.A. appearances. I used to be at the Heritage a lot, but that's in the past. HL: Did you always want to be a musician? TW: Yeah, I guess so, I ...
... performed that day, to an audience of nearly four thousand of the rowdiest, most stoned New Yorkers I ever saw. It was the first gig I ever played with an electric bass, and I think it must have been Tom's first time on an electronic ...
Зміст
12 | |
27 | |
39 | |
63 | |
77 | |
93 | |
January 23 1979Tom Waits for No One | 107 |
Heartattack and Vine 1980 | 113 |
Swordfishtrombones 1983 | 129 |
Rain Dogs 1985 | 151 |
Late 1985Rain Dogs Tourbook | 164 |
Franks Wild Years 1987 | 181 |