Tom Waits on Tom Waits: Interviews and EncountersChicago Review Press, 1 серп. 2011 р. - 480 стор. Tom Waits, even with his barnyard growl and urban hipster yawp, may just be what the Daily Telegraph calls him: &“the greatest entertainer on Planet Earth.&” Over a span of almost four decades, he has transformed his music and persona not to suit the times but his whims. But along with Bob Dylan, he stands as one of the last elder statesmen still capable of putting out music that matters. Journalists intent upon cracking the code are more likely to come out of a Waits interview with anecdotes about the weather, insects, or medieval medicine. He is, in essence, the teacher we wished we had, dispensing insights such as: &“Vocabulary is my main instrument;&” &“We all like music, but what we really want is for music to like us;&” &“Anything you absorb you will ultimately secrete;&” &“Growth is scary, because you're a seed and you're in the dark and you don't know which way is up, and down might take you down further into a darker place . . .;&” and &“There is no such thing as nonfiction. . . . People who really know what happened aren't talking. And the people who don't have a clue, you can't shut them up.&” Tom Waits on Tom Waits is a selection of over fifty interviews from the more than five hundred available. Here Waits delivers prose as crafted, poetic, potent, and haunting as the lyrics of his best songs. |
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... and hope something is going to happen, but it never does. Nothing happens down there. You play in a rock band in high school and when you get out you end up playing in some swank club behind a 4 TOM WAITS ON TOM WAITS.
... never done anything like that. I'd never even been to most of the places that we played, real exciting tour. I went with stand-up bass, Bob Webb, and Rich Phelps on trumpet and a guitar player, John “Funky Fingers” Forsha. HL: How long ...
... never find on guitar, so it helps with writing on the piano. I played guitar before I played piano. I'm no technician, no big “fancy” fingers. Writing on an instrument is different than being a real master of an instrument. It's more of ...
... never lived in those days or don't want to remember, they still give you a kick of being new, exciting, and different. Tom's an original. A nice guy who's getting somewhere without forgetting where he and his listeners have been. THE ...
... never seen before? TW: It was kind of frightening. You just realize how much you have at your disposal. I was fortunate enough to have pretty much my own rein in the studio. I had a good group and we got along fine. We had like a week ...
Зміст
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27 | |
39 | |
63 | |
77 | |
93 | |
January 23 1979Tom Waits for No One | 107 |
Heartattack and Vine 1980 | 113 |
Swordfishtrombones 1983 | 129 |
Rain Dogs 1985 | 151 |
Late 1985Rain Dogs Tourbook | 164 |
Franks Wild Years 1987 | 181 |