all the strange things which he had raked together his serpentine rod swagging about in his pocket-Cleopatra's tear, and the rest of his relics-O'Keefe's wild farce, and his wilder commentary-till the passion of laughter, like grief in excess, relieved itself by its own weight, inviting the sleep which in the first instance it had driven away.

But we were not to escape so easily. No sooner did we fall into slumbers, than the same image, only more perplexing, assailed us in the shape of dreams. Not one Munden, but five hundred, were dancing before us, like the faces which, whether you will or know, come when you have been taken opium-all the strange combinations, which this strangest of all strange mortals ever shot his proper countenance into, from the day he came commissioned to dry up the tears of the town for the loss of the now almost forgotten Edwin. O for the power of the pencil to have fixed them when we awoke! A season or two since there was exhibited a Hogarth gallery. We do not see why there should not be a Munden gallery. In richness and variety the latter would not fall far short of the former.

There is one face of Farley, one face of Knight, one face, (but what a one it is!) of Liston; but Munden has none that you can properly pin down, and call his. When you think he has exhausted his battery of looks in unaccountable warfare with your gravity, suddenly he sprouts out an entirely new set of features, like Hydra. He is not one, but legion. Not so much a co

median, as a company. If his name could be multiplied like his countenance, it might fill a play-bill. He, and he alone, literally makes faces: applied to any other person, the phrase is a mere figure, denoting certain modifications of the human countenance. Out of some invisible wardrobe he dips for faces, as his friend Suett used for wigs, and fetches them out as easily. We should not be surprised to see him some day put out the head of a river horse; or come forth a pewit, or lapwing, some feathered metamorphosis.

We have seen this gifted actor in Sir Christopher Curry-in Old Dornton-diffuse a glow of sentiment which has made the pulse of a crowded theatre beat like that of one man; when he has come in aid of the pulpit, doing good to the moral heart of a people. We have seen some faint approaches to this sort of excellence in other players. But in what has been truly denominated the "sublime of farce," Munden stands out as single and unaccompanied as Hogarth. Hogarth, strange to tell, had no followers. The school of Munden began, and must end, with himself.

Can any man wonder, like him? can any man see ghosts, like him? or fight with his own shadow-sessa-as he does in that strangely-neglected thing, the Cobler of Preston-where his alternations from the Cobler to the Magnifico, and from the Magnifico to the Cobler, keep the brain of the spectator in as wild a ferment, as if some Arabian Night were being acted before him, or as if Thalaba were no tale! Who like him can

throw, or ever attempted to throw, a supernatural interest over the commonest daily-life objects? A table, or a joint stool, in his conception, rises into a dignity equivalent to Cassiopeia's chair. It is invested with constellatory importance. You could not speak of it with more deference, if it were mounted into the firmament. A beggar in the hands of Michael Angelo, says Fuseli, rose the Patriarch of Poverty. So the gusto of Munden antiquates and ennobles what it touches. His pots and his ladles are as grand and primal as the seething-pots and hooks seen in old prophetic vision. A tub of butter, contemplated by him, amounts to a Platonic idea. He understands a leg of mutton in its quiddity. He stands wondering, amid the common-place materials of life, like primæval man, with the sun and stars about him.

THE GENTLE GIANTESS.

She

THE widow Blacket, of Oxford, is the largest female I ever had the pleasure of beholding. There may be her parallel upon the earth, but surely I never saw it. I take her to be lineally descended from the maid's aunt of Brainford, who caused Master Ford such uneasiness. hath Atlantean shoulders; and, as she stoopeth in her gait-with as few offences to answer for in her own particular as any of Eve's daughtersher back seems broad enough to bear the blame of all the peccadillos that have been committed since Adam. She girdeth her waist-or what she is pleased to esteem as such-nearly up to her shoulders, from beneath which, that huge dorsal expanse, in mountainous declivity, emergeth. Respect for her alone preventeth the idle boys, who follow her about in shoals, whenever she cometh abroad, from getting up and riding. -But her presence infallibly commands a reverence. She is indeed, as the Americans would express it, something awful. Her person is a burthen to herself, no less than to the ground which bears her. To her mighty bone, she hath a pinguitude withal, which makes the depth of winter

to her the most desirable season. Her distress in the warmer solstice is pitiable. During the months of July and August, she usually renteth a cool cellar, where ices are kept, whereinto she descendeth when Sirius rageth. She dates from a hot Thursday-some twenty-five years ago. Her apartment in summer is pervious to the four winds. Two doors, in north and south direction, and two windows, fronting the rising and the setting sun, never closed, from every cardinal point, catch the contributory breezes. She loves to enjoy what she calls a quadruple draught. That must be a shrewd zephyr, that can escape her. I owe a painful face-ache, which oppresses me at this moment, to a cold caught, sitting by her, one day in last July, at this receipt of coolness. Her fan, in ordinary resembleth a banner spread, which she keepeth continually on the alert to detect the least breeze. She possesseth an active and gadding mind, totally incommensurate with her person. No one delighteth more than herself in country exercises and pastimes. I have passed many an agreeable holy-day with her in her favourite park at Woodstock. She performs her part in these delightful ambulatory excursions by the aid of a portable garden chair. She setteth out with you at a fair foot gallop, which she keepeth up till you are hoth well breathed, and then she reposeth for a few seconds. Then she is up again for a hundred paces or so, and again resteth-her movement, on these sprightly occasions, being something between walking and flying. Her great weight seemeth to propel her for