Musings of a Musician: Recent Trends in Carnatic MusicWilco Publishing House : copies can be had from Padma Varadan, 1977 - 128 стор. Reminiscences of a musicologist. |
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Сторінка 2
... promoted patterns of composition . They expanded the dimensions of rhythm . The Mridangam had a hoary history of development . It now acquired a premier status for percussion accom- paniment . Its prestige and appeal enjoyed parity with ...
... promoted patterns of composition . They expanded the dimensions of rhythm . The Mridangam had a hoary history of development . It now acquired a premier status for percussion accom- paniment . Its prestige and appeal enjoyed parity with ...
Сторінка 20
... promoted by Ariyakudi . Insignificant among the veterans of old , the latter had bided his time . Timing his careful strategy , he trimmed his music and invested in with impeccable charm . Whether it was Ragam , Kriti or Swara Prastaram ...
... promoted by Ariyakudi . Insignificant among the veterans of old , the latter had bided his time . Timing his careful strategy , he trimmed his music and invested in with impeccable charm . Whether it was Ragam , Kriti or Swara Prastaram ...
Сторінка 30
... promoted objectivity . This self - effacement proved a disadvantage by and by . I took care of my soul ; but missed many a bus . I had known Papanasam Sivan since 1912. Twenty years later , I dreamt of redeeming him from proverty , poor ...
... promoted objectivity . This self - effacement proved a disadvantage by and by . I took care of my soul ; but missed many a bus . I had known Papanasam Sivan since 1912. Twenty years later , I dreamt of redeeming him from proverty , poor ...
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Musings of a Musician: Recent Trends in Carnatic Music R. Rangaramanuja Iyengar Перегляд фрагмента - 1977 |
Загальні терміни та фрази
aesthetic Aradhana Ariyakudi artistes authentic Ayyar Bharata Bombay Carnatic Music classical compositions classical music composers concerts creative dedication devotion Dikshitar Gamaka hand Hindu Hindustani history of Carnatic India Radio Kanjira Konakol Konerirajapuram Krishnier Kriti Kritimanimalai Kshetragna listened looked Madras Madras Music Academy Madurai Mannargudi mind Mridangam Muse musicians Muthiah Bhagavatar Nagaswaram Nagaswaram and Tavil Neraval notation Padam Pakiri Pallavi Papanasam Sivan pattern Pillay pitch popular present preserved prestige professional promoted published Purandaradasa Raga Ragam Ragam and Pallavi Ramanuja Ramanuja Ayyangar Rangaramanuja Ayyangar recital repertoire rhythm and melody rhythmic Sabha Sahityam Sangeeta Sanskrit Shrine Simizhi sing songs soul South Indian music spirit Sri Ranga Ramanuja Sri Thyagarajaswami's Sundaram Swami Swara Swara Prastara Syama Sastri Tala Tamil Tanjore teacher technique Telugu temple Thomas Jefferson College Thyagarajah tion Tiruvayyar traditions values Veena Dhanammal Vidwan violin vocal vocalist voice culture volumes votaries