Musings of a Musician: Recent Trends in Carnatic MusicWilco Publishing House : copies can be had from Padma Varadan, 1977 - 128 стор. Reminiscences of a musicologist. |
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Сторінка 38
... known as Sadir and Chinna Melam , flourished in temples . Devadasis were symbolically married to temple deities . They were dedicated to music and dance and maintained from temple funds . At the turn of the century , the insti- tution ...
... known as Sadir and Chinna Melam , flourished in temples . Devadasis were symbolically married to temple deities . They were dedicated to music and dance and maintained from temple funds . At the turn of the century , the insti- tution ...
Сторінка 85
... known as Muddu Venkatamakhi , a great grandson of Venkatamakhi . So Muthuswami Dikshitar belonged to the Sishya Parampara of Venkatamakhi , and of course he followed the latter's Mela Karta scheme in toto . Thyagarajah adopted ...
... known as Muddu Venkatamakhi , a great grandson of Venkatamakhi . So Muthuswami Dikshitar belonged to the Sishya Parampara of Venkatamakhi , and of course he followed the latter's Mela Karta scheme in toto . Thyagarajah adopted ...
Сторінка 119
... known exponent of Veena and vocal music and the author of many outstanding publications on music . The book is in 27 chapters , profusely illustrated , and traces the development of South Indian music from 500 B.C. It is based on a ...
... known exponent of Veena and vocal music and the author of many outstanding publications on music . The book is in 27 chapters , profusely illustrated , and traces the development of South Indian music from 500 B.C. It is based on a ...
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Musings of a Musician: Recent Trends in Carnatic Music R. Rangaramanuja Iyengar Перегляд фрагмента - 1977 |
Загальні терміни та фрази
aesthetic Aradhana Ariyakudi artistes authentic Ayyar Bharata Bombay Carnatic Music classical compositions classical music composers concerts creative dedication devotion Dikshitar Gamaka hand Hindu Hindustani history of Carnatic India Radio Kanjira Konakol Konerirajapuram Krishnier Kriti Kritimanimalai Kshetragna listened looked Madras Madras Music Academy Madurai Mannargudi mind Mridangam Muse musicians Muthiah Bhagavatar Nagaswaram Nagaswaram and Tavil Neraval notation Padam Pakiri Pallavi Papanasam Sivan pattern Pillay pitch popular present preserved prestige professional promoted published Purandaradasa Raga Ragam Ragam and Pallavi Ramanuja Ramanuja Ayyangar Rangaramanuja Ayyangar recital repertoire rhythm and melody rhythmic Sabha Sahityam Sangeeta Sanskrit Shrine Simizhi sing songs soul South Indian music spirit Sri Ranga Ramanuja Sri Thyagarajaswami's Sundaram Swami Swara Swara Prastara Syama Sastri Tala Tamil Tanjore teacher technique Telugu temple Thomas Jefferson College Thyagarajah tion Tiruvayyar traditions values Veena Dhanammal Vidwan violin vocal vocalist voice culture volumes votaries