Musings of a Musician: Recent Trends in Carnatic MusicWilco Publishing House : copies can be had from Padma Varadan, 1977 - 128 стор. Reminiscences of a musicologist. |
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Сторінка 8
... four and four and a half , in terms of the keys of the Harmonium . The Tambura was the traditional instrument for Sruti . Before the Sruti box came into vogue , " Hechu ' , or high pitch , was a symbol of prestige . " Taggu , " or low ...
... four and four and a half , in terms of the keys of the Harmonium . The Tambura was the traditional instrument for Sruti . Before the Sruti box came into vogue , " Hechu ' , or high pitch , was a symbol of prestige . " Taggu , " or low ...
Сторінка 24
... four years of constant listening , I had a glimpse of her approach . My prodigious repertoire and ready Swaragnanam helped me to assimilate many features of her unique style . A few more trials . with the Veena - I bought and sold as ...
... four years of constant listening , I had a glimpse of her approach . My prodigious repertoire and ready Swaragnanam helped me to assimilate many features of her unique style . A few more trials . with the Veena - I bought and sold as ...
Сторінка 67
... four months to bring the students to my way of thinking and approach to the work . Once on the road , the march was easy . Quite providentially , Indian Epics and Gandhian Philo- sophy were added in the second year The students ...
... four months to bring the students to my way of thinking and approach to the work . Once on the road , the march was easy . Quite providentially , Indian Epics and Gandhian Philo- sophy were added in the second year The students ...
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Musings of a Musician: Recent Trends in Carnatic Music R. Rangaramanuja Iyengar Перегляд фрагмента - 1977 |
Загальні терміни та фрази
aesthetic Aradhana Ariyakudi artistes authentic Ayyar Bharata Bombay Carnatic Music classical compositions classical music composers concerts creative dedication devotion Dikshitar Gamaka hand Hindu Hindustani history of Carnatic India Radio Kanjira Konakol Konerirajapuram Krishnier Kriti Kritimanimalai Kshetragna listened looked Madras Madras Music Academy Madurai Mannargudi mind Mridangam Muse musicians Muthiah Bhagavatar Nagaswaram Nagaswaram and Tavil Neraval notation Padam Pakiri Pallavi Papanasam Sivan pattern Pillay pitch popular present preserved prestige professional promoted published Purandaradasa Raga Ragam Ragam and Pallavi Ramanuja Ramanuja Ayyangar Rangaramanuja Ayyangar recital repertoire rhythm and melody rhythmic Sabha Sahityam Sangeeta Sanskrit Shrine Simizhi sing songs soul South Indian music spirit Sri Ranga Ramanuja Sri Thyagarajaswami's Sundaram Swami Swara Swara Prastara Syama Sastri Tala Tamil Tanjore teacher technique Telugu temple Thomas Jefferson College Thyagarajah tion Tiruvayyar traditions values Veena Dhanammal Vidwan violin vocal vocalist voice culture volumes votaries