The muscles of the sides of the pelvis, partake of the general wasting, in consequence of which the trochantes stand out from the glenon cavities in the same gaunt manner that they do in the true skeleton, being covered by integuments alone. The thighs are imperfect in bulk, and the knees, like the elbows, appear enlarged. The calves of the legs seem to have more firm good muscle, than any other part of the body, particularly that of the right leg, which is much more fleshy than the left. The feet are well formed; a trifling overlapping of the toes is probably accidental.

The examination of the back part of Seurat's body corresponds with the front, as far as the general leanness goes. The occiput is flat, the neck broad; the scapula projecting, the spine crooked;.some of the lower cervical vertebræ are curved backwards, and there is a curve towards the right side, formed by some of the lower dorsal vertebra. All the bony points of the back part of the body are so prominent that every individual bone may be distinctly traced by the eye, even at a considerable distance.

On first beholding Seurat, a person might almost imagine that he saw before him, one returned from "that bourne whence no traveller returns:" the first impressions over, he begins to wonder how so frail a being exists, and is surprised, that all those functions, necessary for the continuance of his own life, are regularly and effectively performed. He eats, drinks, and sleeps-the progress of digestion, as carried on throughout the alimentary canal, is regularly executed. The secretions of the liver, kidnies, and skin are separated from the blood, in such quantities as may be deemed necessary for the economy of his frame. His heart performs its office regularly, and sends the blood to the various parts of the body,

in due proportions. He can bear the effects of heat and cold, like other people, accustomed to lead a sedentary life, and does not need unusual clothes. His mind is better constituted, perhaps, than that of many a man, better formed in body. He comprehends quickly, and his memory is good. He has learnt to read and write his own language, and is now anxious to become acquainted with ours.

Such is Claude Ambroise Seurat, who may justly be considered as a most excalculated to throw much and useful light traordinary lusus naturæ,-an object on many interesting questions of the highest importance, towards the advancement of anatomical study.

So far from having any disinclination to being exhibited in this country, Claude Ambroise Seurat has repeatedly urged his wish to gratify the strong desire of the public, to view him without loss of time; and hearing that one of the journals had expressed some harshness concerning his exhibition, he indited and signed the following letter

Sir,

To the Editor.

Having learned that in an article in your journal, the motives and conduct of the persons who brought me to England are severely alluded to, it is my duty, both to them and to the public, to declare, that so far from experiencing any thing disagreeable, either in having been conducted hither or at being exposed, I feel great satisfaction not only in the change of my situation, but also at the bounties with which I have been loaded by the individuals who protect me. Far from having "been brought from the tranquillity of my native village," I was wandering about France, and making but little by the exposure of my person, when I so fortunately met my present protectors, whose liberality will shortly render me sufficiently independent to unable me to return and live at my ease in my native country. I only beg leave to add, that my present situation is more happy than I ever yet enjoyed during my whole life, and is entirely conformable to my desires. I have the honour to be, Sir, your most humble servant,

CLAUDE AMBROISE SEURAT.
Aug. 4, 1825.

This, with what follows, will give a tolerably adequate idea of this singular being, both as to his form and mind.

I have paid two visits to Seurat. His public exhibition takes place in a room in Pall-mall called the "Chinese Saloon;" its sides are decorated with Chinese paper; Chinese lanterns are hung from lines crossing from wall to wall. In front of a large recess, on one side, is a circular gauze canopy over a platform covered with crimson cloth, raised about eighteen inches from the floor, and enclosed by a light brass railing; the recess is enclosed by a light curtain depending from the cornice to the floor of the platform, and opening in the middle. A slight motion within intimates that the object of attraction is about to appear; the curtain opens a little on each side, and Seurat comes forth, as he is represented in the first engraving,with no other covering than a small piece of fringed purple silk, supported round the middle by a red band, with a slit like pocket holes, to allow the hip-bones to pass through on each side. On the finger of the left hand, next to the middle one, he wears a plain gold ring. An artist who accompanied me at each visit, for the purpose of making the drawings here engraved, has well represented him. The portraits, both front and profile, are better resemblances than any that exist, and the anatomy of his figure more correct.

It is justly remarked, that "the title of 'Living Skeleton' does not seem exactly to be well applied to this strange production of nature, and may, perhaps, create some disappointment; because the curiosity, as it really exists, lies far less in the degree of attenuation which Seurat's frame exhibits, than in the fact that, with a frame so reduced, a human being should be still in possession of most of his functions, and enjoying a reasonable quantity of health. As regards the exhibition of bone, for instance, there is not so much as may frequently be found (in the dead subject) in cases where persons have died of lingering consumption. The parchment-like aspect attributed to the skin too seems to have been a little overstated; and, in fact, most medical men who served in the late war, will recollect instances enough, where men of five feet eight inches high, dying from dysentery, or intermittent fever, have weighed considerably less than 78lbs., which is the weight of Seurat. The real novelty, therefore, should be looked for, not in the degree to which this man's body is wasted and exhausted, but in the fact that such a degree of decay should be compatible

The

with life, and the possession of some degree of strength and spirits. This decay does not seem to have operated equally upon all parts of the figure: it shows most strikingly in the appearance of the neck and trunk; the upper arms, from the shoulder to the elbow, and the thigh. The upper part of the arm is not quite destitute of flesh; but so small, that it may be spanned with ease by a very moderate fore-finger and thumb. thighs are wasted very much-little_remains upon them beyond the skin. The cap of the knee, which is large, and protrudes considerably, is of a reddish colour, unlike the aspect of the flesh or skin in general. The trunk, from the shoulder to the hip, has the appearance, more than any thing else, of a large bellows, a mere bag of hoops covered with leather, through which the pulsation of the heart is distinctly visible. On the thicker part of the fore-arm there is flesh, white in appearance, though of a soft and unhealthy character; and the division of the two bones, the ulna and the radius, may be detected by feeling. Upon the calves of the legs, again, there is some show of substance, and one is larger than the other. But the most curious circumstance, perhaps, in the man's condition is, that while his whole body exhibits these extraordinary appearances of decay, his face (which is decidedly French, and not unpleasant,) displays no signs of attenuation whatever, and scarcely any symptom of disease or weakness."

It was on the first day of Seurat's exhibition that I first visited him; this was on Tuesday, the 9th of August, 1825; a day the present sheet of the Every Day Book has not yet reached; I have been anxious to be before the day and the public, as regards Seurat, and it is therefore, as to him, anticipated. I was at the "Chinese Saloon" before the doors were opened, and was the first of the public admitted, followed by my friend, the artist. Seurat was not quite ready to appear; in the mean time, another visitor or two arrived, and after examining the canopy, and other arrangements, my attention was directed to the Chinese papering of the room, while Seurat had silently opened the curtains that concealed him, and stood motionless towards the front of the platform, as he is represented in the engraving. On turning round, I was instantly rivetted by his amazing

Times.

emaciation; he seemed another "Lazarus, come forth" without his grave-clothes, and for a moment I was too consternated to observe more than his general appearance. My eye, then, first caught the arm as the most remarkable limb; from the shoulder to the elbow it is like an ivory German flute somewhat deepened in colour by age; it is not larger, and the skin is of that hue, and, not having a trace of muscle, it is as perfect a cylinder as a writing rule. Amazed by the wasted limbs, I was still more amazed by the extraordinary depression of the chest. Its indentation is similar to that which an over-careful mother makes in the pillowed surface of an infant's bed for its repose. Nature has here inverted her own order, and turned the convex inwards, while the nobler organs, obedient to her will, maintain life by the gentle exercise of their wonted functions in a lower region. Below the ribs, which are well described in the accounts already given, the trunk so immediately curves in, that the red band of the silk-covering, though it is only loosely placed, seems a tourniquet to constrict the bowels within their prison house, and the hip-bones, being of their natural size, the waist is like a wasp's. By this part of the frame we are reminded of some descriptions of the abstemious arid Bedouin Arab of the desert, in whom it is said the abdomen seems to cling to the vertebra. If the integument of the bowels can be called flesh, it is the only flesh on the body: for it seems to have wholly shrunk from the limbs; and where the muscles that have not wholly disappeared remain, they are also shrunk. He wears shoes to keep cold from his feet, which are not otherwise shaped than those of people who have been accustomed to wear tight shoes; his instep is good, and by no means so flat as in the generality of tavern waiters. His legs are not more ill-shaped than in extremely thin or much wasted persons; the right leg, which is somewhat larger than the left, is not less than were the legs of the late Mr. Suett, the comedian. On this point, without a private knowledge of Mr. Liston, I would publicly appeal to that gentleman, whom, on my second visit in the afternoon, I saw there, accompanied by Mr. Jones. Mr. Liston doubtless remembers Suett, and I think he will never forget Seurat, at whom he looked, “unutterable things," as if he had been about to say-" Prodigious!"

Seurat's head and body convey a senti

ment of antithesis. When the sight is fixed on his face alone, there is nothing there to denote that he varies from other men. I examined him closely and frequently, felt him on different parts of the body, and, not speaking his language, put questions to him through others, which he readily answered. His head has been shaved, yet a little hair left on the upper part of the neck, shows it to be black, and he wears a wig of that colour. His strong black beard is perceptible, although clean shaved. His complexion is swarthy, and his features are good, without the emaciation of which his body partakes ; the cheek-bones are high, and the eyes are dark brown, approaching to black. They are represented as heavy and dull, and to denote little mental capacity; but, perhaps, a watchful observer, who made pertinent inquiries of him in a proper manner, would remark otherwise. He usually inclines the head forward towards his breast, and therefore, and because he is elevated above the spectators, his eyes frequently assume a position wherein he might see, and "descant on his own deformity." His features are flexible, and therefore capable of great animation, and his forehead indicates capacity. Depression of the eyelid is by no means to be taken as a mark of dulness or inefficient intellect. One of our poets, I think Churchill, no incompetent judge of human nature, has a line concerning Genius "lowering on the penthouse of the eye." Seurat, on any other than a common-place question, elevates his head to an ordinary position, answers immediately and with precision, and discourses rationally and sensibly; more sensibly than some in the room, who put childish questions about him to the attendants, and express silly opinions as to his physical and mental structure and abilities, and call him "a shocking creature." There is nothing shocking either in his mind or his face. His countenance has an air of melancholy, but he expresses no feeling of the kind; it is not, however, so mournful as the engraving at the head of this article shows. The artist was timid, and in form and habit the reverse of Seurat; and as "like will to like," so through dislike to the life of the subject before him, he imagined more dolour in Seurat's face than it has; this could not be remedied by the engraver without hazarding the likeness, which is really good. Seurat's voice is pleasing, deep-toned, and gentle. Except for the

privations to which his conformation constrains him, he is not an object of pity, and perhaps very little on that account. We meet many perfectly-formed beings in daily society whose abject indulgences or abject circumstances in life render

them far more pitiable, and in a moral point of view, some of them are far more shocking. There is nothing in Seurat to disgust, as far as I could judge from what I saw or heard of him.

Death is not contemplated by Seurat as near to him, and it is even probable that his "last event" is far off. The vital organs have wonderfully conformed themselves to his malformation, and where they are seated, perform their office uninterruptedly. The quantity of solid nutriment for the support of his feeble frame never exceeds four ounces a day. The pulsations of his heart are regular, and it has never palpitated; at the wrist, they are slow and equally regular. He has never been ill, nor taken medicine, except once, and then only a small quantity of manna. His skin is not more dry than the skin of many other living persons who abstain, as he does, from strong vinous or fermented liquors, and drink sparingly; it is not branny, but perfectly smooth; nor is it of a colour unnatural to a being who cannot sustain much exercise, who exists in health with very little, and therefore does not require more. The complexion of his body is that of a light Creole, or perhaps more similar to that of fine old ivory; it must be remembered, that his natural complexion is swarthy. What has been asserted elsewhere is perfectly true, that when dressed in padded clothes, he would not in any position be more remarkable than any other person, except that, among Englishmen, he would be taken for a foreigner. On the day before his public exhibition, he walked from the Gothic-hall in the Haymarket, to the Chinese Saloon in Pall-mall, arm-in-arm with the gentleman who brought him from France, and was wholly unrecognized and unnoticed.

Until ten years of age, Seurat was as healthy as other children, except that

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Southey's Tale of Paraguay

his chest was depressed, and he was much weaker; until that year, he used to run about and play, and tumble down from feebleness. From that age his feebleness increased, and he grew rapidly until he was fourteen, when he attained his present stature, with further increase of weakness: he is not weaker now than he was then. His recreation is reading, and he is passionately fond of listening to music. He cannot stoop, but he can lift a weight of twelve pounds from a chair: of course, he displays no feats of any kind, and unless great care is taken, he may be injured by cold, and the fatigue of the exhibition. Of this, however, himself and his father, who is with him, and who is a shrewd, sensible man, seem aware. He remains about ten minutes standing and walking before the company, and then withdraws between the curtains to seat himself, from observation in a blanketed arm-chair, till another company arrives. His limbs are well-proportioned; he is not at all knock-kneed, nor are his legs any way deformed.

Seurat is "shocking" to those who have never reflected on mortality, and think him nearer to the grave than themselves. Perhaps he is only so in appearance. The orderly operation of the vital principle within him for the last thirteen or fourteen years, may continue to the ordinary duration of human life. Every one of his spectators is "encompassed in a ghostly frame," and exemplifies, as much as Seurat, the scriptural remark, that "in the midst of life we are in death" it is not further from us for not thinking on it, nor is it nearer to us because it is under our eyes