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ST. JAMES AND WHITEHALL.

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the Eighth, cast his eyes upon St. James Hospital, a place set apart for lepers, fourteen of whom were residing there at the time, and being convinced of the healthfulness of the situation, the inmates were driven forth, a small pension given to each, and on the site of the hospital for physical lepers, this moral leper erected what is now known as the palace of St. James, for the reception of the unfortunate but giddy Anne Boleyn.

During the reigns of Mary and Elizabeth the palace was deserted, but with the advent of the Stuarts, St. James became a royal nursery.

The ill-fated Charles the First had a passionate fondness for this palace, and on the morning of his execution attended divine service in the chapel which he had fitted up.

After the restoration, James II furnished St. James at great expense; and from this period St. James became with hardly an intermission the abode of royalty. George the Second died here mumbling. George IV was born, and passed much of his time here. As a royal residence it has fallen away from its ancient splendor and is now only used on occasions of state solemnity; yet it is one of the best planned palaces in Europe for comfort, and possesses a fine gallery of paintings.

Whitehall, or the palace that is known by that name, was formerly called York House, and for three centuries before the time of Cardinal Wolsey, was the residence of the Archbishop of Canterbury.

After the death of Wolsey its name was changed to Whitehall, from a large hall in the building painted entirely white. Wolsey fitted up the palace in a style of grandeur never equaled, much less excelled by any other subject of the English crown, and being occupied by the king on the demise of Wolsey, it was called the King's Palace of Westminster.

When Queen Elizabeth died it was refitted by King James, and enlarged-but was destroyed by fire in 1619. Immediately after its destruction James determined to rebuild it, and a portion of the palace was completed at a cost of fifteen thousand pounds, but such extravagance could not be allowed in those

days, parliament refusing to grant money to continue the building, and the fanatical monarch, whose memory has survived because of his hatred of tobacco, was forced to suspend operations for want of funds.

The ceiling of the banqueting-room, a work of Rubens and for which he was paid three thousand pounds, is said to be one of the finest efforts of that most gifted artist's pencil.

In the time of the Protector Cromwell, one of the rarest collections of paintings ever made in the world, and of immense value-which had been accumulated here by successive kings, was ordered to be sold by Cromwell in accordance with the Puritan belief that to possess paintings or statuary was conducive of image worship in the owner. Charles the First was really a great admirer of works of art, and had he lived he would no doubt have made Whitehall the finest palace of Europe.

Cromwell occupied Whitehall as a residence for his family after the execution of King Charles I, for butcher as he was, and strict republican as he pretended to be, he was not above enjoying the good things of this life, and despite his cadaverous countenance he could appreciate a soft bed and a tender piece of roast beef with the jolliest of cavaliers.

On the 10th of April, 1691, a fire broke out in the apartments of the bad Duchess of Portsmouth who occupied a portion of Whitehall, (this woman was a mistress of Charles II,) and in 1698 the entire structure was consumed with the exception of the banqueting-hall, and nothing but the walls were left standing.

This hall was altered to a chapel by King George II, and since that time has been used for that purpose, the clergyman always being a royal chaplain. Over the door is a bust of the founder, and the brilliant frescos of the ceiling pieces of Rubens are all that is left of the once magnificent palace of Whitehall.

The residence of the Queen, when in London, is generally supposed to be Buckingham Palace, a long gloomy looking building in St. James Park, not a stones' throw from the

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BUCKINGHAM PALACE.

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Marble Arch in Hyde Park or Westminster Abbey. The same big flashy looking soldiers in red coats, and hideous grenadier bearskins are to be seen marching up and down opposite this palace gate just as they do about St. James Palace, or at the Horse Guards in Parliament street.

St. James Park is a pretty place with fine shady trees, and here in the mall or wide walk of the park was played a century ago, and still farther back in the days of paint, powder, and patches, and garden masquerades, the game of "pell mell."

Buckingham Palace, though much frequented by the Queen, and situated pleasantly as far as appearances go, is not a healthy place of residence at all. The Queen frequently has complained of its dampness, she having often contracted bad colds there. This I have on the authority of her former chaplain.

George the IV had a Dutch predeliction for low ceilings, and as he never lived on good terms with his wife, whom he used to call a Fat Dutch Hog, no accommodations were made for Queen Caroline his spouse, in Buckingham Palace.

The palace was occupied by this monarch, for whom it was built, in 1825. This king was one of the most profligate of men and a roue-and yet had the reputation of being the finest gentleman in Europe, but he never spared man in his rage nor woman in his lust.

John, Duke of Buckingham, lived in a house on the site of the palace, in 1703, from which circumstance it has derived its name.

I had special permission to visit this palace while the Queen was absent on her summer tour in Scotland; it being a great favor to be admitted, and it was only by great perseverance and difficulty that I obtained entrance to the royal abode.

One bright morning I called about ten o'clock, and after presenting my order of admittance was allowed to enter.

I was bewildered by its sumptuous magnificence. Fancy a noble hall surrounded with a double row of marble columns, every one composed of a single piece of veined Carrara marble, with gilded bases and capitals; the tout ensemble being

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