 | Samuel Johnson - 1800 - 714 стор.
...dead. Then cold and hot, and moist and dry, In order to their stations leap. And musick's power obey. From harmony, from heavenly harmony, This universal frame began : From harmony to harmony Through all the compass of the notes it ran, The diapason closing full in man. The- conclusion is likewise... | |
 | Great Britain - 1804 - 716 стор.
...dead. Then cold and hot, and moist and dry, In order to their stations leap, . And musick's power obey. From harmony, from heavenly harmony, This universal frame began : From harmony to harmony Through all the compass of the notes it ran, The diapason closing-full in man. The conclusion is likewise... | |
 | John Bell - 1807 - 458 стор.
...stations leap, And Music's pow'r obey. From harmony, from heav'nly harmony, This universal frame began : 8 From harmony to harmony, Thro' all the compass of the notes it ran, 1 he diapason closing full in Man. II. What passion cannot music raise and quell ! When Jubal struck... | |
 | John Dryden - 1808 - 500 стор.
...dead." Then cold, and hot, and moist, and dry, In order to their stations leap, And Music's power obey. From harmony, from heavenly harmony, This universal frame began ; From harmony to harmony 10 Through all the compass of the notes it ran, The diapason * closing full in man. i II. What passion... | |
 | John Dryden, Walter Scott - 1808 - 506 стор.
...dead." Then cold, and hot, and moist, and dry, In order to their stations leap, And Music's power obey. From harmony, from heavenly harmony, This universal frame began ; From harmony to harmony Through all the compass of the rotes it ran, The diapason * closing full in man. II. What passion cannot... | |
 | Lindley Murray - 1809 - 330 стор.
...all these, are unison to the human mind," The following is a poetical example of the saine nature, in which there is scarcely a glimpse of meaning, though...composed by an eminent poet . From harmony, from heavenly hurmony, This universal frame began : From harmony to harmony Thro' all the compass of the notes it... | |
 | British poets - 1809 - 512 стор.
...dead ! Then cold and hot, and moist and dry, In order to their stations leap, And Music's power obey. From harmony, from heavenly harmony, This universal frame began : From harmony to harmony, Through all the compass of the notes it ran, The diapason closing full in Man. What passion cannot... | |
 | Joseph Addison - 1810 - 312 стор.
...dead. Then cold, and hot, and moist, and dry, in order to their stations leap, and Music's power obey. From harmony, from heavenly harmony, this universal frame began: from harmony to harmony through all the compass of the notes it ran, the dispason closing full in Man. What passion cannot... | |
 | Abraham Cowley - 1810 - 314 стор.
...dead. Then cold, and hot, and moist, and dry, in order to their stations leap, and Music's power obey. From harmony, from heavenly harmony, this universal frame began: from harmony to harmony through all the compass of the notes it ran, the dispason closing full in Man. What passion cannot... | |
 | Samuel Johnson - 1810 - 476 стор.
...dead. Then cold and hot, and moist and dry, In order to their stations leap. And musick's power obey. From harmony, from heavenly harmony, This universal frame began. From harmony to harmony Through all the compass of the notes it ran, The diapason closing full in man. The conclusion is likewise... | |
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From harmony, from heavenly harmony, This universal frame began: From harmony to harmony Through all the compass of the notes it ran, The diapason closing full in Man. 
