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" There is singularly nothing that makes a difference a difference in beginning and in the middle and in ending except that each generation has something different at which they are all looking. By this I mean so simply that anybody knows it that composition... "
Defensive Measures: The Poetry of Niedecker, Bishop, Glück, and Carson - Сторінка 57
автори: Lee Upton - 2005 - 144 стор.
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Gertrude Stein

Frederick J. Hoffman - 1961 - 48 стор.
...lecture "Composition as Explanation" (published as a book in 1926) contains the gist of her intention: "There is singularly nothing that makes a difference...something different at which they are all looking. By this I mean so simply that anybody knows it that composition is the difference which makes each...
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A Stein Reader

Gertrude Stein - 1993 - 624 стор.
...address. For this publication Stein added the title Composition as Explanation. A STEIN READER 494 There is singularly nothing that makes a difference...something different at which they are all looking. By this I mean so simply that anybody knows it that composition is the difference which makes each...
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The Enemy: A Review of Art and Literature, Том 1

Wyndham Lewis, David Peters Corbett - 1994 - 160 стор.
...these passages the Child, the nai'f -motif. "There is singularly nothing that makes a differerence a difference in beginning and in the middle and in...something different at which they are all looking. By this I mean so simply that anybody knows it that composition is the difference which makes each...
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Are Girls Necessary?: Lesbian Writing and Modern Histories

Julie Abraham - 1996 - 213 стор.
...conviction that the creative artist must be contemporary. In "Composition as Explanation" she argued, "There is singularly nothing that makes a difference...something different at which they are all looking. . . . Nothing changes from generation to generation except the thing seen and that makes a composition."36...
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Women's Words: The Columbia Book of Quotations by Women

Mary Biggs - 1996 - 501 стор.
...feminist, fiction writer, and essayist; born in America. A Hot-Eyed Moderate, part 2 (1985). GENERATIONS I There is singularly nothing that makes a difference...something different at which they are all looking. By this I mean so simply that anybody knows it that composition is the difference which makes each...
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Modernism: An Anthology of Sources and Documents

Vassiliki Kolocotroni, Jane Goldman, Olga Taxidou - 1998 - 632 стор.
...England where she met Leonard and Virginia Woolf and was published in their Hogarth Press essay series. There is singularly nothing that makes a difference...something different at which they are all looking. By this I mean so simply that anybody knows it that composition is the difference which makes each...
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Making Music Modern: New York in the 1920s

Carol J. Oja - 2000 - 512 стор.
...hopes and visions, of spires seeking in the windy air loveliness and perfection. — Langston Hughes, 1926 There is singularly nothing that makes a difference...something different at which they are all looking. — Gertrude Stein, 1926 MAKING MUSIC MODERN L you picked up a phone in Manhattan to call "DRY Dock...
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Gary Hill

Gary Hill - 2000 - 348 стор.
...capable, of being absorbed, becoming part of the composition that is the medium. Interface — Recall There is singularly nothing that makes a difference a difference in beginning and in middle and in ending except that each generation has something different at which they are all looking.6...
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Literary Modernism and Musical Aesthetics: Pater, Pound, Joyce and Stein

Brad Bucknell - 2001 - 288 стор.
...The two themes are locked in a paradoxical connection which the opening moves of the piece outline: There is singularly nothing that makes a difference...generation has something different at which they are looking. By this I mean simply . . . that composition is the difference which makes each and all of...
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Going the Distance: Dissident Subjectivity in Modernist American Literature

David R. Jarraway - 2003 - 230 стор.
...them all going—"nothing," that is to say (synonymous with the lesser space of "reality" formerly), "that makes a difference a difference in beginning...something different at which they are all looking" (SSW, 513; also 519, 520). The trials of composition also extend forward, bringing Stein "to the period...
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