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" Poetry I, too, dislike it: there are things that are important beyond all this fiddle. Reading it, however, with a perfect contempt for it, one discovers in it, after all, a place for the genuine. Hands that can grasp, eyes that can dilate, hair that... "
Defensive Measures: The Poetry of Niedecker, Bishop, Glück, and Carson - Сторінка 14
автори: Lee Upton - 2005 - 144 стор.
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Հանդէս արարչագործութեանն Աստուծոյ

Pōghos G. Kʻērēstēchean - 1900 - 31 стор.
...dàri va su uât. * * I, too, dislike it : there are things that are important beyond all this fiddle. Reading it, however, with a perfect contempt for it, one discovers in it after all, a place for the genuine. Hands that can grasp, eyes that can dilate, hair that can rise --{ if it must, these things...
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The Culture of Criticism and the Criticism of Culture

Giles B. Gunn - 2014 - 235 стор.
..."there are things important beyond all this fiddle," but it also brings to mind the lines that follow: "Reading it, however, with a perfect contempt for...one discovers in it, after all, / a place for the genuine." The difficulty comes in defining just what one means by "the genuine" and in determining...
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The Poet's Work: 29 Poets on the Origins and Practice of Their Art

Reginald Gibbons - 1989 - 305 стор.
...Marianne Moore Poetry I, too, dislike it: there are things that are important beyond all this f1ddle. Reading it, however, with a perfect contempt for it, one discovers in it after all, a place for the genuine. Hands that can grasp, eyes that can dilate, hair that can rise if it must, these things are...
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A Critique of Modern Textual Criticism, Foreword by David C Greetham

Mcgann - 2014 - 146 стор.
...our knowledge and recollection of the earlier. When we read the following in the 1967 Complete Poems: I, too, dislike it. Reading it, however, with a perfect...it, one discovers in it, after all, a place for the genuine. we probably recall what we saw in the 1935 Selected Poems, or in the 1951 Collected Poems....
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Omissions are Not Accidents: Gender in the Art of Marianne Moore

Jeanne Heuving - 1992 - 195 стор.
...its august tradition: I, too, dislike it: there are things that are important beyond all this fiddle Reading it, however, with a perfect contempt for it, one discovers in it after all, a place for the genuine However, in her later "In the Public Garden," Moore assumes both the position and attitude...
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Modern Nicaraguan Poetry: Dialogues with France and the United States

Steven F. White - 1993 - 227 стор.
...and '30s rejected: I, too, dislike it: there are things that are important beyond all this fiddle. Reading it, however, with a perfect contempt for it, one discovers in it, after all, a place for the genuine. Hands that can grasp, eyes that can dilate, hair that can rise if it must, these things are...
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Complete Poems

Marianne Moore - 1994 - 305 стор.
...toward itself and with its bill attack its own identity, until foe seems friend and friend seems foe. POETRY I, too, dislike it. Reading it, however, with...it, one discovers in it, after all, a place for the genuine. PEDANTIC LITERALIST Prince Rupert's drop, paper muslin ghost, white torch — "with power...
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The Columbia Anthology of American Poetry

Jay Parini, Axinn Professor of English Jay Parini - 1995 - 757 стор.
...grows old in it. POETRY I, too, dislike it: there are things that are important beyond all this fiddle. Reading it, however, with a perfect contempt for it, one discovers in it after all, a place for the genuine. Hands that can grasp, eyes that can dilate, hair that can rise if it must, these things are...
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The Poem Itself: 150 of the Finest Modern Poets in the Original Languages

Stanley Burnshaw - 2015 - 337 стор.
...muscularities of prose: I, too, dislike it: there are things that are important beyond all this fiddle. Reading it, however, with a perfect contempt for it, one discovers in it, after all, a place for the genuine. Hands that can grasp, eyes that can dilate, hair that can rise if it must, these things are...
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The Future of Modernism

Hugh Witemeyer - 1997 - 259 стор.
...alL There Moore reduced the entire poem to just three lines, set on a page by themselves and reading: I, too, dislike it. Reading it, however, with a perfect...it, one discovers in it, after all, a place for the genuine.7 That combines half of the original first sentence of the poem with the second sentence, rearranged...
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