Adolf Hitler: A Psychological Interpretation of His Views on Architecture, Art, and Music
Popular Press, 1990 - 171 стор.
Zalampas applies the psychological model of Alfred Adler to Adolf Hitler through the examination of his views on architecture, art, and music. This study was made possible by the publication of Billy F. Price’s volume of over seven hundred of Hitler’s watercolors, oils, and sketches.
Відгуки відвідувачів - Написати рецензію
Не знайдено жодних рецензій.
Інші видання - Показати все
Academy accepted Adler Adolf Hitler Alois appeared architecture Aryan attention became believed Berlin Books building called Chamber child classical collection complete composers concerned continued criticism cultural death drawings early elements evidence examination example exhibit expression father feeling forms Friend German given goal Goebbels Hall Hanfstaengl Hitler's Youth House human included individual inferiority Inside insisted interest Jetzinger Jewish Jews Kampf Kubizek later Linz lived March Maser meeting Mein Kampf military mother Munich National Socialist nature Nazi never noted opera organizations paintings party performance period picture placed plans played political position Press Price problems Psychology Psychopathic received reflected sense showed social social interest speeches Speer style success suggested superiority theater Third Reich thought took Unknown Artist Vienna views Wagner's wanted York Young