An Introduction to the Study of AestheticsMoore, Wilstach, Keys & Company, 1856 - 284 стор. |
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Сторінка iv
... Style . II . Of Moral , .......... 224 PART III . Limits of the Field of Art ,. .233 CHAPTER I. I. Plastic Art . II . Graphic Art . III . Architectonics . IV . Land- scape Gardening . V. Music , ... ........................ . CHAPTER II ...
... Style . II . Of Moral , .......... 224 PART III . Limits of the Field of Art ,. .233 CHAPTER I. I. Plastic Art . II . Graphic Art . III . Architectonics . IV . Land- scape Gardening . V. Music , ... ........................ . CHAPTER II ...
Сторінка 17
... style and manner . He has been followed by Knight and Jeffrey : the former varying from his master by advocating the intrinsic beauty of certain colors , and the latter by rejecting the necessity of a train of suggestions , but neither ...
... style and manner . He has been followed by Knight and Jeffrey : the former varying from his master by advocating the intrinsic beauty of certain colors , and the latter by rejecting the necessity of a train of suggestions , but neither ...
Сторінка 23
... style of the celebrated Robert Hall , that often his audience unconsciously arose from their seats ; and when Mas- silon , preaching on the fewness of the elect , pictured the entrance of the Saviour to judgment , and the separa- tion ...
... style of the celebrated Robert Hall , that often his audience unconsciously arose from their seats ; and when Mas- silon , preaching on the fewness of the elect , pictured the entrance of the Saviour to judgment , and the separa- tion ...
Сторінка 51
... style of Cavallo's Philosophy to produce the powerful effect of Chalmers ' Astronomical Discourses , or the sublime generalizations of Humboldt . And yet , no less would Newton have erred had he attempted his Principia in the manner of ...
... style of Cavallo's Philosophy to produce the powerful effect of Chalmers ' Astronomical Discourses , or the sublime generalizations of Humboldt . And yet , no less would Newton have erred had he attempted his Principia in the manner of ...
Сторінка 52
... style was admirably suited to attract and retain the attention of the youthful audience for whom they were prepared . In writing for the young , for the popular ear or eye , or indeed any class of community not wholly enamored of ...
... style was admirably suited to attract and retain the attention of the youthful audience for whom they were prepared . In writing for the young , for the popular ear or eye , or indeed any class of community not wholly enamored of ...
Інші видання - Показати все
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An Introduction to the Study of Aesthetics James Clement Moffat Попередній перегляд недоступний - 2019 |
An Introduction to the Study of Aesthetics James Clement Moffat Попередній перегляд недоступний - 2009 |
Загальні терміни та фрази
according æsthetic agreeable ancient antecedent appear architecture Aristotle artist association Assyria attained Baptistry of St belongs called cause character colors combination common conceived conception constitute contemplated cornice criticism degree delight distinction effect elements embody employed entablature entirely excellence existence expression faculty feelings former garden genius give Greek heart Henry Kirk White highest History of Paint Hudibras human humor ideas imagination imitation incongruity intel intellectual labor landscape language latter less light literature manner material means ment mind mirth moral motion nature never novelty objects observation original ornament painting Parthenon peculiar perceive perception perfection Phidias pleasant pleasure poetry present principles produce proper Quintilian relation ridicule sculpture semitones sensation sense Sophocles sounds spirit statuary style stylobate sublime talent taste things thought tion true truly truth uncle Toby unity utter variety Venus de Medici whereby whole words
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Сторінка 128 - The sober herd that lowed to meet their young; The noisy geese that gabbled o'er the pool, The playful children just let loose from school; The watchdog's voice that bayed the whispering wind, And the loud laugh that spoke the vacant mind; These all in sweet confusion sought the shade, And filled each pause the nightingale had made.
Сторінка 116 - When even at last the solemn hour shall come, And wing my mystic flight to future worlds, I cheerful will obey; there, with new powers, Will rising wonders sing. I cannot go Where universal love not smiles around, Sustaining all yon orbs, and all their suns; From seeming evil still educing good, And better thence again, and better still, In infinite progression.
Сторінка 115 - Should fate command me to the farthest verge Of the green earth, to distant, barbarous climes, Rivers unknown to song, — where first the sun Gilds Indian mountains, or his setting beam Flames on the Atlantic isles, — 'tis nought to me : Since God is ever present, ever felt, In the void waste as in the city full ; And where He vital breathes, there must be joy.
Сторінка 133 - DAY set on Norham's castled steep, And Tweed's fair river, broad and deep, And Cheviot's mountains lone ; The battled towers, the donjon keep, The loophole grates where captives weep, The flanking walls that round it sweep, In yellow lustre shone.
Сторінка 127 - Sweet was the sound, when oft at evening's close Up yonder hill the village murmur rose; There, as I passed with careless steps and slow, The mingling notes came softened from below; The swain responsive as the milkmaid sung, The sober herd that lowed to meet their young; The noisy geese that gabbled o'er the pool, The playful children just let loose from school; The watchdog's voice that bayed the whispering wind, And the loud laugh that spoke the vacant mind...
Сторінка 87 - Light quirks of music, broken and uneven, Make the soul dance upon a jig to heaven. On painted ceilings you devoutly stare, Where sprawl the saints of Verrio or Laguerre, On gilded clouds in fair expansion lie, And bring all paradise before your eye.
Сторінка 215 - O ! then I see Queen Mab hath been with you. She is the fairies' midwife, and she comes In shape no bigger than an agate-stone On the forefinger of an alderman, Drawn with a team of little atomies Athwart men's noses as they lie asleep : Her waggon-spokes made of long spinners...
Сторінка 216 - tis, to cast one's eyes so low! The crows and choughs, that wing the midway air, Show scarce so gross as beetles : Half way down Hangs one that gathers samphire; dreadful trade! Methinks, he seems no bigger than his head: The fishermen, that walk upon the beach, Appear like mice; and yon...
Сторінка 216 - tis to cast one's eyes so low ! The crows, and choughs, that wing the midway air, Show scarce so gross as beetles. Half way down Hangs one that gathers samphire ; dreadful trade ! Methinks he seems no bigger than his head. The fishermen, that walk upon the beach, Appear like mice ; and yon' tall, anchoring bark, Diminished to her cock ; her cock, a buoy Almost too small for sight.
Сторінка 116 - BLANC, The Arve and Arveiron at thy base Rave ceaselessly; but thou, most awful Form! Risest from forth thy silent sea of pines, How silently! Around thee and above Deep is the air and dark, substantial, black, An ebon mass: methinks thou piercest it, As with a wedge! But when I look again...