The Communicative Act of Oral InterpretationAllyn and Bacon, 1967 - 428 стор. |
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Сторінка 177
... idea of all , and achieves the effect the writer desires . It does not jump about from one idea to another , but presents a gradual , logical increase in the importance of each idea so that a cumulative effect is achieved . Because of ...
... idea of all , and achieves the effect the writer desires . It does not jump about from one idea to another , but presents a gradual , logical increase in the importance of each idea so that a cumulative effect is achieved . Because of ...
Сторінка 180
... idea and gradually comes down to the smallest and least expansive . It frequently produces a humorous effect . In using it the voice will usually manifest less strength in volume , or intensity , as it progresses . Note the rise and ...
... idea and gradually comes down to the smallest and least expansive . It frequently produces a humorous effect . In using it the voice will usually manifest less strength in volume , or intensity , as it progresses . Note the rise and ...
Сторінка 181
... idea to another . Others because you did not keep That deep - sworn vow have been friends of mine ; Yet always when ... idea . The pause is often an important part of the transition for it en- ables both you and your listener to make a ...
... idea to another . Others because you did not keep That deep - sworn vow have been friends of mine ; Yet always when ... idea . The pause is often an important part of the transition for it en- ables both you and your listener to make a ...
Зміст
An Overview | 3 |
Oral Interpretation Today | 32 |
TWO YOUR LITERATURE AND | 53 |
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The Communicative Act of Oral Interpretation Keith Brooks,Eugene Bahn,Loren La Mont Okey Перегляд фрагмента - 1975 |
Загальні терміни та фрази
act of oral action actor Anton Chekhov attitude audience Aunt Tilly Aunt Tillybird beat beauty Carl Sandburg chapter characters communicative act Company convey Copyright critical dialogue drama effect emotional empathic emphasis example eyes feeling Gerard Manley Hopkins give Hamlet hand humor idea imagery interpreter's John John Crowe Ransom Julius Caesar lines listener response literary experience look Lord Randal Macbeth meaning mind mother never night oral interpreter oral reader Oral Reading pause person physical responsiveness piece of literature pitch play plot poem poet poetry preter prose reading aloud recited Reprinted by permission rhyme rhythm Robert Robert Frost says scene selection sonnet sound speak speech stanza STEPHEN DEDALUS Stephen Vincent Benét story style suggest symbolic T. S. Eliot tell tempo Theatre things thou thought tion understanding University verse vocal and physical voice W. H. Auden William words writing York