Shakespeare's Tragic SequenceRoutledge, 11 жовт. 2013 р. - 216 стор. First published in 1972. The emphasis of this book is that each of Shakespeare's tragedies demanded its own individual form and that although certain themes run through most of the tragedies, nearly all critics refrain from the attempt to apply external rules to them. The plays are almost always concerned with one person; they end with the death of the hero; the suffering and calamity that befall him are exceptional; and the tragedies include the medieval idea of the reversal of fortune. |
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Сторінка 9
... (Richard H, Ot/zello, King Lear, Macéer/t) and from articles written during the last two decades, though modified in the light of experience and discussion. It will be obvious that I am indebted to many critics, alive and dead. It will ...
... (Richard H, Ot/zello, King Lear, Macéer/t) and from articles written during the last two decades, though modified in the light of experience and discussion. It will be obvious that I am indebted to many critics, alive and dead. It will ...
Сторінка 11
... Richard H] and Richard I], on Holinshed's C/ironicles, even though, in King Lear, Shakespeare blended Sidney's fiction with historical or legendary material. Thirdly, by Bradley's assumption that the four tragedies with which he dealt ...
... Richard H] and Richard I], on Holinshed's C/ironicles, even though, in King Lear, Shakespeare blended Sidney's fiction with historical or legendary material. Thirdly, by Bradley's assumption that the four tragedies with which he dealt ...
Сторінка 19
... Richard III was well constructed but the hero was a villain and the element of ritual softened the dramatic impact. Romeo and juliet relied too much on accident. Richard II was too weak to be regarded as a satisfactory tragic hero ...
... Richard III was well constructed but the hero was a villain and the element of ritual softened the dramatic impact. Romeo and juliet relied too much on accident. Richard II was too weak to be regarded as a satisfactory tragic hero ...
Сторінка 25
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Зміст
9 | |
11 | |
20 | |
3 Julius Caesar
| 42 |
4 Hamlet
| 55 |
5 Othello
| 93 |
6 King Lear
| 117 |
7 Macbeth
| 142 |
8 Antony and Cleopatra
| 156 |
9 Coriolanus
| 172 |
10 Timon of Athens
| 187 |
Notes
| 197 |
Index | 205 |
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Загальні терміни та фрази
action Antony Antony and Cleopatra Antony’s argued audience avenger Banquo behaviour Bradley Brutus Caesar Cassius character Claudius Claudius’s Cleopatra Coleridge confesses conflict conscience contrast Cordelia Coriolanus critics death declares deed Desdemona devil difficult dramatist Edgar Elizabethan evil father fear figure final finally find first scene fit flatterers flesh fool Gertrude Ghost Gloucester gods Goneril Guildenstern guilty Hamlet hates hath heart heaven Horatio horror Iago Iago’s imagery images influence jealous Juliet kill King Lear King’s L. C. Knights Laertes Lear’s lovers man’s Menenius merely mind moral mother murder nature night noble Ophelia Othello passion play Plutarch poet Polonius Professor Queen realise reflection regarded revealed revenge Richard Roderigo Romeo Rosencrantz sacrifice says Shakespeare significant soliloquy soul speaks speech spirit suggested suicide tells thee There’s thou thought Timon Timon of Athens Titus Andronicus tragedy tragic hero villain virtue wife Wilson Knight words