The English Novel: 1700 to Fielding. Vol. 1

adventure allegorical Aphra Behn argues aristocratic authority becomes Beggar's Opera Cambridge carnivalesque character Clarissa conduct books critical Crusoe's cultural Daniel Defoe death Defoe desire disguise early eighteenth century eighteenth-century English Eliza Haywood England English Novel erotic essay exile experience female Fiction before Richardson Fielding's footprint formula fiction gender genre heart Henry Fielding heroine Ian Watt ideology imagination island John Joseph Andrews journal Lady liminal literary history literature London Love Letters Lovelace Lovelace's male Manley and Haywood masquerade scene McKeon means metaphor modern Moll Moll Flanders moral narration nature Newgate notion novelists novella old prisons Oxford Pamela passion Paul Hunter Penelope Aubin penitentiary plot political popular psychological rape readers reading realism reform represented Richardson and Fielding Richetti Robinson Crusoe romance Samuel Richardson satiric sense sexual social story structure symbolic Tom Jones traditional truth University Press virtue Watt Watt's woman women writing