Shakspeare's dramatic art: and his relation to Calderon and Goethe, tr. [by A.J.W. Morrison.].Chapman brothers, 1846 - 554 стор. |
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Сторінка xiv
... King John 359 Richard II . 365 Henry IV . 368 Henry V. 379 Henry VI . 385 · Richard III . 398 Chronological arrangement , & c . , of the five last Dramas 403 Henry VIII . 417 OF CERTAIN PIECES AND PLAYS ASCRIBED TO SHAKSPEARE 422 ...
... King John 359 Richard II . 365 Henry IV . 368 Henry V. 379 Henry VI . 385 · Richard III . 398 Chronological arrangement , & c . , of the five last Dramas 403 Henry VIII . 417 OF CERTAIN PIECES AND PLAYS ASCRIBED TO SHAKSPEARE 422 ...
Сторінка 9
... King's company of players consisted only of four members ; and when this number was exceeded great care was taken that not more than four or five characters should be on the stage together , as the same actors undertook two or more ...
... King's company of players consisted only of four members ; and when this number was exceeded great care was taken that not more than four or five characters should be on the stage together , as the same actors undertook two or more ...
Сторінка 12
... King Robert of Sicily - an Interlude which dates as early as the reign of Henry VII . , and was exhibited before the corporation of Chester in the year 1529 , in which Robert is dethroned by an angel , on account of his impious pride ...
... King Robert of Sicily - an Interlude which dates as early as the reign of Henry VII . , and was exhibited before the corporation of Chester in the year 1529 , in which Robert is dethroned by an angel , on account of his impious pride ...
Сторінка 13
... the account of his fall from the church , is mixed up with allegorical personages . Preston's " Cambyses , King of Persia , " and the " Appius and Virginia " of an unknown author signing himself R. ENGLISH DRAMA , BEFORE SHAKSPEARE . 13.
... the account of his fall from the church , is mixed up with allegorical personages . Preston's " Cambyses , King of Persia , " and the " Appius and Virginia " of an unknown author signing himself R. ENGLISH DRAMA , BEFORE SHAKSPEARE . 13.
Сторінка 29
... King John and Philip Augustus below , and raised on the steps , sat the King and Queen in Hamlet , and here was Macbeth's festive board when Banquo's ghost appeared . " Such , nearly - for precise chronological information on this point ...
... King John and Philip Augustus below , and raised on the steps , sat the King and Queen in Hamlet , and here was Macbeth's festive board when Banquo's ghost appeared . " Such , nearly - for precise chronological information on this point ...
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Shakspeare's Dramatic Art: And His Relation to Calderon and Goethe Hermann Ulrici Повний перегляд - 1846 |
Shakspeare's dramatic art: and his relation to Calderon and Goethe ... Hermann ULRICI Повний перегляд - 1846 |
Shakspeare's Dramatic Art: And His Relation to Calderon and Goethe Hermann Ulrici Повний перегляд - 1846 |
Загальні терміни та фрази
Accordingly action æsthetical already ancient appears artistic beauty Ben Jonson Calderon caprice character Christian Church circumstances Collier comedy comic view composition consequently Coriolanus critics Cymbeline death divine doubt Drake earthly English epical evil exhibited existence external fact Falstaff fancy feeling fundamental idea genius Gentlemen of Verona genuine Goethe Goethe's grace ground-idea Hamlet hand Henry the Sixth historical drama honour human Humanum Genus humour influence inmost intrinsic Jonson Julius Cæsar justice King language Lastly latter less Locrine lyrical Macbeth Malone merely mind moral nature necessity nevertheless noble objective organic Othello outward passion Pericles personages piece play poem poet poetical poetry possess present Prince principle profound racter Richard Romeo Romeo and Juliet satire scene Shak Shakspeare Shakspeare's sonnets spirit thought Tieck tion Titus Andronicus tragedy tragic Troilus and Cressida true truth view of things virtue weakness whole Winter's Tale
Популярні уривки
Сторінка 105 - Anon permit the basest clouds to ride With ugly rack on his celestial face And from the forlorn world his visage hide, Stealing unseen to west with this disgrace. Even so my sun one early morn did shine With all-triumphant splendour on my brow; But out, alack! he was but one hour mine, The region cloud hath mask'd him from me now. Yet him for this my love no whit disdaineth; Suns of the world may stain when heaven's sun staineth.
Сторінка 112 - Two loves I have, of comfort and despair, Which, like two spirits, do suggest me still: The better angel is a man right fair, The worser spirit a woman coloured ill. To win me soon to hell my female evil Tempteth my better angel from my side, And would corrupt my saint to be a devil, Wooing his purity with her foul pride...
Сторінка 105 - Why is my verse so barren of new pride, So far from variation or quick change? Why with the time do I not glance aside To new-found methods and to compounds strange? Why write I still all one, ever the same, And keep invention in a noted weed, That every word doth almost tell my name, Showing their birth and where they did proceed...
Сторінка 106 - O, for my sake do you with Fortune chide, The guilty goddess of my harmful deeds, That did not better for my life provide Than public means which public manners breeds. Thence comes it that my name receives a brand, And almost thence my nature is subdued To what it works in, like the dyer's hand. Pity me then and wish I were renew'd, Whilst, like a willing patient, I will drink Potions of eisel 'gainst my strong infection ; No bitterness that I will bitter think, Nor double penance, to correct correction....
Сторінка 309 - Alas ! alas ! Why, all the souls that were, were forfeit once; And He that might the vantage best have took, Found out the remedy: how would you be, If He, which is the top of judgment, should But judge you as you are ? O, think on that ; And mercy then will breathe within your lips, Like man new made.
Сторінка 104 - CXLVI Poor soul, the centre of my sinful earth, .... these rebel powers that thee array, Why dost thou pine within and suffer dearth. Painting thy outward walls so costly gay? Why so large cost, having so short a lease, Dost thou upon thy fading mansion spend? Shall worms, inheritors of this excess, Eat up thy charge? Is this thy body's end? Then, soul, live thou upon thy servant's loss, And let that pine to aggravate thy store; Buy terms divine in selling hours of dross; Within be fed, without be...
Сторінка 94 - Tired with all these, for restful death I cry, As, to behold desert a beggar born, And needy nothing trimm'd in jollity...
Сторінка 304 - Though justice be thy plea, consider this,— That, in the course of justice, none of us Should see salvation : we do pray for mercy; And that same prayer doth teach us all to render The deeds of mercy.
Сторінка 106 - Now all is done, have what shall have no end! Mine appetite I never more will grind On newer proof, to try an older friend, A god in love, to whom I am confined. Then give me welcome, next my heaven the best, Even to thy pure and most most loving breast.
Сторінка 92 - Sweet Swan of Avon! what a sight it were To see thee in our waters yet appear, And make those flights upon the banks of Thames That so did take Eliza and our James!