The Communicative Act of Oral InterpretationAllyn and Bacon, 1975 - 475 стор. |
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Сторінка 165
... story . He refers to himself as " I. " But as the story progresses , " I " fades out completely as a character and becomes an impersonal narrator who focuses on Emma . In The Little Wife , by William March , the story is seen from the ...
... story . He refers to himself as " I. " But as the story progresses , " I " fades out completely as a character and becomes an impersonal narrator who focuses on Emma . In The Little Wife , by William March , the story is seen from the ...
Сторінка 342
... story- teller falters or forgets , he destroys the rhyme and rhythm , lessening the impact of the story and breaking the aesthetic distance . Likewise , if the story depends upon a very careful and complex sentence struc- ture for its ...
... story- teller falters or forgets , he destroys the rhyme and rhythm , lessening the impact of the story and breaking the aesthetic distance . Likewise , if the story depends upon a very careful and complex sentence struc- ture for its ...
Сторінка 354
... story in a collection of short stories by Virginia Brown . In a second story , " A New Boy on Tenth Street , " the problem is that of moving into a new neighborhood , and the story of " Not Enough Chairs " is built around the problem of ...
... story in a collection of short stories by Virginia Brown . In a second story , " A New Boy on Tenth Street , " the problem is that of moving into a new neighborhood , and the story of " Not Enough Chairs " is built around the problem of ...
Зміст
Oral Interpretation Today | 21 |
Your Literature and You | 43 |
Vocal and Physical Responsiveness | 65 |
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The Communicative Act of Oral Interpretation Keith Brooks,Eugene Bahn,Loren La Mont Okey Перегляд фрагмента - 1967 |
Загальні терміни та фрази
act of oral action actor Anton Chekhov attitude audience Aunt Tilly Aunt Tillybird Carl Sandburg character child communicative act Copyright critical dialogue dramatic Dylan Thomas E. B. White effect emotional essay Eugene O'Neill example expression eyes feeling give Hamlet humor idea imagery imagination intent interpreter's involved James John letter listener literary experience Lois Lenski look Lord Lord Randal Macmillan meaning mind mother night oral interpreter oral reader Oral Reading pause Ph.D play poem poet poetry preter prose Rachel Field Readers Theatre reading aloud recited Reprinted by permission response rhyme rhythm Robert Robert Frost says scene selection sense sound speak speech stanza Stephen Spender Stephen Vincent Benét story Study style suggest symbol T. S. Eliot tell tempo things thought tion understanding University verse vocal and physical voice William words writer York