The Communicative Act of Oral InterpretationAllyn and Bacon, 1975 - 475 стор. |
З цієї книги
Результати 1-3 із 72
Сторінка 53
... selection more emotional response , more feeling , you give a very strong pseudo - response that you think is the true response desired . However , excessive emotion , beyond the demands of the literature , is merely an outward display ...
... selection more emotional response , more feeling , you give a very strong pseudo - response that you think is the true response desired . However , excessive emotion , beyond the demands of the literature , is merely an outward display ...
Сторінка 303
... selection of the play ( or a scene , episode or solo discourse from it ) becomes that of the inter- preter . Likewise , the interpreter as an individual may read for himself whatever his personal tastes dictate , but when he takes on ...
... selection of the play ( or a scene , episode or solo discourse from it ) becomes that of the inter- preter . Likewise , the interpreter as an individual may read for himself whatever his personal tastes dictate , but when he takes on ...
Сторінка 384
... selection five or ten minutes in length . This enables the reader to become accustomed to an audience gradually , and it relieves the strain of feeling responsible for an entire program . Gradually , each reader may share more of the ...
... selection five or ten minutes in length . This enables the reader to become accustomed to an audience gradually , and it relieves the strain of feeling responsible for an entire program . Gradually , each reader may share more of the ...
Зміст
Oral Interpretation Today | 21 |
Your Literature and You | 43 |
Vocal and Physical Responsiveness | 65 |
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The Communicative Act of Oral Interpretation Keith Brooks,Eugene Bahn,Loren La Mont Okey Перегляд фрагмента - 1967 |
Загальні терміни та фрази
act of oral action actor Anton Chekhov attitude audience Aunt Tilly Aunt Tillybird Carl Sandburg character child communicative act Copyright critical dialogue dramatic Dylan Thomas E. B. White effect emotional essay Eugene O'Neill example expression eyes feeling give Hamlet humor idea imagery imagination intent interpreter's involved James John letter listener literary experience Lois Lenski look Lord Lord Randal Macmillan meaning mind mother night oral interpreter oral reader Oral Reading pause Ph.D play poem poet poetry preter prose Rachel Field Readers Theatre reading aloud recited Reprinted by permission response rhyme rhythm Robert Robert Frost says scene selection sense sound speak speech stanza Stephen Spender Stephen Vincent Benét story Study style suggest symbol T. S. Eliot tell tempo things thought tion understanding University verse vocal and physical voice William words writer York