The Communicative Act of Oral InterpretationAllyn and Bacon, 1975 - 475 стор. |
З цієї книги
Результати 1-3 із 38
Сторінка 223
... Rhythm , Meter , and Rhyme Rhythm in poetry cannot be regarded as the same as rhythm in a motor , where the beat goes on at exactly the same interval without variation . That is merely a mechanical repetition . Poetic rhythm grows out ...
... Rhythm , Meter , and Rhyme Rhythm in poetry cannot be regarded as the same as rhythm in a motor , where the beat goes on at exactly the same interval without variation . That is merely a mechanical repetition . Poetic rhythm grows out ...
Сторінка 224
... rhythm are so effectively unified that at no time is the rhythm too dominant or obtrusive . Rather , it reinforces and intensifies the emotion . There is no separation of content and form here any more than there is in spoken speech ...
... rhythm are so effectively unified that at no time is the rhythm too dominant or obtrusive . Rather , it reinforces and intensifies the emotion . There is no separation of content and form here any more than there is in spoken speech ...
Сторінка 360
... Rhythm Children have a strong inherent sense of rhythm . In fact , certain rhythms seem to be universal in all children . Some of the same rhythms are used by children in many parts of the world as they chant or sing at play . Since rhythm ...
... Rhythm Children have a strong inherent sense of rhythm . In fact , certain rhythms seem to be universal in all children . Some of the same rhythms are used by children in many parts of the world as they chant or sing at play . Since rhythm ...
Зміст
Oral Interpretation Today | 21 |
Your Literature and You | 43 |
Vocal and Physical Responsiveness | 65 |
Авторські права | |
15 інших розділів не відображаються
Інші видання - Показати все
The Communicative Act of Oral Interpretation Keith Brooks,Eugene Bahn,Loren La Mont Okey Перегляд фрагмента - 1967 |
Загальні терміни та фрази
act of oral action actor Anton Chekhov attitude audience Aunt Tilly Aunt Tillybird Carl Sandburg character child communicative act Copyright critical dialogue dramatic Dylan Thomas E. B. White effect emotional essay Eugene O'Neill example expression eyes feeling give Hamlet humor idea imagery imagination intent interpreter's involved James John letter listener literary experience Lois Lenski look Lord Lord Randal Macmillan meaning mind mother night oral interpreter oral reader Oral Reading pause Ph.D play poem poet poetry preter prose Rachel Field Readers Theatre reading aloud recited Reprinted by permission response rhyme rhythm Robert Robert Frost says scene selection sense sound speak speech stanza Stephen Spender Stephen Vincent Benét story Study style suggest symbol T. S. Eliot tell tempo things thought tion understanding University verse vocal and physical voice William words writer York