The Communicative Act of Oral InterpretationAllyn and Bacon, 1975 - 475 стор. |
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Результати 1-3 із 72
Сторінка 26
... physical suggestions of the oral interpreter . You have only two ways of communicating with a listener : vocally and physically . It follows , therefore , that your vocal and physical cues must be both vivid and accurate , based on your ...
... physical suggestions of the oral interpreter . You have only two ways of communicating with a listener : vocally and physically . It follows , therefore , that your vocal and physical cues must be both vivid and accurate , based on your ...
Сторінка 78
... physical response that is not vocal . This physical response may be primarily covert , so that an observer is scarcely aware of it , or it may be overt and more obvious . You may be only vaguely aware of your physical response while ...
... physical response that is not vocal . This physical response may be primarily covert , so that an observer is scarcely aware of it , or it may be overt and more obvious . You may be only vaguely aware of your physical response while ...
Сторінка 79
... Physical Action There are two ways to approach your study of physical action . One of these is to assume the bodily position that you think best conveys the purpose and the attitude of the literature , allowing the emotions to grow out ...
... Physical Action There are two ways to approach your study of physical action . One of these is to assume the bodily position that you think best conveys the purpose and the attitude of the literature , allowing the emotions to grow out ...
Зміст
Oral Interpretation Today | 21 |
Your Literature and You | 43 |
Vocal and Physical Responsiveness | 65 |
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The Communicative Act of Oral Interpretation Keith Brooks,Eugene Bahn,Loren La Mont Okey Перегляд фрагмента - 1967 |
Загальні терміни та фрази
act of oral action actor Anton Chekhov attitude audience Aunt Tilly Aunt Tillybird Carl Sandburg character child communicative act Copyright critical dialogue dramatic Dylan Thomas E. B. White effect emotional essay Eugene O'Neill example expression eyes feeling give Hamlet humor idea imagery imagination intent interpreter's involved James John letter listener literary experience Lois Lenski look Lord Lord Randal Macmillan meaning mind mother night oral interpreter oral reader Oral Reading pause Ph.D play poem poet poetry preter prose Rachel Field Readers Theatre reading aloud recited Reprinted by permission response rhyme rhythm Robert Robert Frost says scene selection sense sound speak speech stanza Stephen Spender Stephen Vincent Benét story Study style suggest symbol T. S. Eliot tell tempo things thought tion understanding University verse vocal and physical voice William words writer York