The Romantic Movement in English PoetryDutton, 1909 - 344 стор. |
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Сторінка 7
... than it is to the novelist . The his- torian , after all , like the man of science , is concerned primarily with facts . He undertakes to tell us the truth about the past , and it is only when he competes with the novelist INTRODUCTION 7.
... than it is to the novelist . The his- torian , after all , like the man of science , is concerned primarily with facts . He undertakes to tell us the truth about the past , and it is only when he competes with the novelist INTRODUCTION 7.
Сторінка 10
... tells us that ' it is unphilosophical to believe that a single poet can turn the art of poetry into any channel he will by his own genius : the greatest artists are those who best understood the conflict of tendencies in their own age ...
... tells us that ' it is unphilosophical to believe that a single poet can turn the art of poetry into any channel he will by his own genius : the greatest artists are those who best understood the conflict of tendencies in their own age ...
Сторінка 15
... telling of a story , and to Spenser it was partly picture - making and partly allegory . To the supreme Eliza- bethan it was life , every action of the will , the mind , and the soul ; and there is not so much poetry to be found ...
... telling of a story , and to Spenser it was partly picture - making and partly allegory . To the supreme Eliza- bethan it was life , every action of the will , the mind , and the soul ; and there is not so much poetry to be found ...
Сторінка 20
... telling or virtue or learning , or any fine purpose , could make amends for the lack of that one necessity . Thus it may be affirmed that in studying this period we are able to study whatever is essential in English poetry ; that is ...
... telling or virtue or learning , or any fine purpose , could make amends for the lack of that one necessity . Thus it may be affirmed that in studying this period we are able to study whatever is essential in English poetry ; that is ...
Сторінка 24
... tells us that ' the general design of the following sheets is to enlist Imagination under the banner of Science . ' In a prose ' interlude ' to the second part of the poem , ' The Loves of the Plants ' ( in which he professes to contend ...
... tells us that ' the general design of the following sheets is to enlist Imagination under the banner of Science . ' In a prose ' interlude ' to the second part of the poem , ' The Loves of the Plants ' ( in which he professes to contend ...
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ballad Barry Cornwall beauty Blake blank verse Byron cadence called Campbell Catullus Charles Lamb Coleridge colour comes conscious Crabbe criticism Dante death delight drama dream edited Elizabethan emotion English poetry expression fancy feeling genius heart human humour imagination impulse Irish JOHN JOSEPH BLANCO WHITE Keats kind Lamb Landor language Latin Leigh Hunt less letter lines lived lyric metre mind Moore moral nature never once ottava rima parody passion perhaps plays pleasure poem poet poetical Prometheus Unbound prose realised reality remembered rendered rhyme rhythm romantic says scene Scott seems seen sense sensitive Shakespeare Shelley Siege of Ancona sincerity songs sonnets soul Southey speaking speech spirit stanza story strange style taste tells things THOMAS DERMODY thought tion touch translation truth turn voice vols wholly WILLIAM MAGINN wonder words Wordsworth writing written wrote
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Сторінка 304 - Dilke on various subjects; several things dove-tailed in my mind, and at once it struck me what quality went to form a Man of Achievement, especially in Literature, and which Shakespeare possessed so enormously— I mean Negative Capability, that is, when a man is capable of being in uncertainties, mysteries, doubts, without any irritable reaching after fact and reason...
Сторінка 138 - But now afflictions bow me down to earth: Nor care I that they rob me of my mirth; But oh! each visitation Suspends what nature gave me at my birth, My shaping spirit of Imagination.
Сторінка 84 - It may be safely affirmed that there neither is, nor can be, any essential difference between the language of prose and metrical composition.
Сторінка 89 - Nor less I deem that there are Powers Which of themselves our minds impress ; That we can feed this mind of ours In a wise passiveness.
Сторінка 84 - I have said that poetry is the spontaneous overflow of powerful feelings: it takes its origin from emotion recollected in tranquillity...
Сторінка 84 - I hoped, might be of some use to ascertain, how far, by fitting to metrical arrangement a selection of the real language of men in a state of vivid sensation, that sort of pleasure and that quantity of pleasure may be imparted, which a Poet may rationally endeavour to impart.
Сторінка 156 - Give glory to the Lord your God, before he cause darkness, and before your feet stumble upon the dark mountains, and, while ye look for light, he turn it into the shadow of death, and make it gross darkness.
Сторінка 40 - Whether in Heaven ye wander fair, Or the green corners of the earth, Or the blue regions of the air, Where the melodious winds have birth; Whether on crystal rocks ye rove, Beneath the bosom of the sea Wandering in many a coral grove Fair Nine, forsaking Poetry! How have you left the ancient love That bards of old enjoyed in you! The languid strings do scarcely move! The sound is forced, the notes are few!
Сторінка 306 - A poet is the most unpoetical of anything in existence, because he has no Identity — he is continually in for and filling some other body.
Сторінка 138 - My shaping spirit of Imagination. For not to think of what I needs must feel, But to be still and patient, all I can; And haply by abstruse research to steal From my own nature all the natural man This was my sole resource, my only plan: Till that which suits a part infects the whole, And now is almost grown the habit of my soul.