The Romantic Movement in English PoetryDutton, 1909 - 344 стор. |
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Сторінка 5
... between prose and lyrical verse , even in actual language , because here words are used by rhythm as notes in music , and at times with hardly more than that musi- cal meaning . As Joubert has said , in a INTRODUCTION 5.
... between prose and lyrical verse , even in actual language , because here words are used by rhythm as notes in music , and at times with hardly more than that musi- cal meaning . As Joubert has said , in a INTRODUCTION 5.
Сторінка 6
Arthur Symons. cal meaning . As Joubert has said , in a figure which is a precise definition : ' In the style of poetry every word reverberates like the sound of a well - tuned lyre , and leaves after it number- less undulations . ' The ...
Arthur Symons. cal meaning . As Joubert has said , in a figure which is a precise definition : ' In the style of poetry every word reverberates like the sound of a well - tuned lyre , and leaves after it number- less undulations . ' The ...
Сторінка 29
... meanings too definite to be writ- ten . What is written is never of any better quality than such a couplet as this : — ' With these supports , the modest Peer preferr'd His claim , which Satan with attention hears . ' Interesting Letter ...
... meanings too definite to be writ- ten . What is written is never of any better quality than such a couplet as this : — ' With these supports , the modest Peer preferr'd His claim , which Satan with attention hears . ' Interesting Letter ...
Сторінка 44
... meaning , by the mere transposition of qualities ; as in the poem which now reads : - ' The modest rose puts forth a thorn , The humble sheep a threatening horn ; While the lily white shall in love delight , Nor a thorn , nor a threat ...
... meaning , by the mere transposition of qualities ; as in the poem which now reads : - ' The modest rose puts forth a thorn , The humble sheep a threatening horn ; While the lily white shall in love delight , Nor a thorn , nor a threat ...
Сторінка 46
... meaning is no longer apparent in the ordinary meaning of the words he uses ; we have to read him with a key , and the key is not always in our hands ; he forgets that he is talking to men on the earth in some language which he has ...
... meaning is no longer apparent in the ordinary meaning of the words he uses ; we have to read him with a key , and the key is not always in our hands ; he forgets that he is talking to men on the earth in some language which he has ...
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ballad Barry Cornwall beauty Blake blank verse Byron cadence called Campbell Catullus Charles Lamb Coleridge colour comes conscious Crabbe criticism Dante death delight drama dream edited Elizabethan emotion English poetry expression fancy feeling genius heart human humour imagination impulse Irish JOHN JOSEPH BLANCO WHITE Keats kind Lamb Landor language Latin Leigh Hunt less letter lines lived lyric metre mind Moore moral nature never once ottava rima parody passion perhaps plays pleasure poem poet poetical Prometheus Unbound prose realised reality remembered rendered rhyme rhythm romantic says scene Scott seems seen sense sensitive Shakespeare Shelley Siege of Ancona sincerity songs sonnets soul Southey speaking speech spirit stanza story strange style taste tells things THOMAS DERMODY thought tion touch translation truth turn voice vols wholly WILLIAM MAGINN wonder words Wordsworth writing written wrote
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Сторінка 304 - Dilke on various subjects; several things dove-tailed in my mind, and at once it struck me what quality went to form a Man of Achievement, especially in Literature, and which Shakespeare possessed so enormously— I mean Negative Capability, that is, when a man is capable of being in uncertainties, mysteries, doubts, without any irritable reaching after fact and reason...
Сторінка 138 - But now afflictions bow me down to earth: Nor care I that they rob me of my mirth; But oh! each visitation Suspends what nature gave me at my birth, My shaping spirit of Imagination.
Сторінка 84 - It may be safely affirmed that there neither is, nor can be, any essential difference between the language of prose and metrical composition.
Сторінка 89 - Nor less I deem that there are Powers Which of themselves our minds impress ; That we can feed this mind of ours In a wise passiveness.
Сторінка 84 - I have said that poetry is the spontaneous overflow of powerful feelings: it takes its origin from emotion recollected in tranquillity...
Сторінка 84 - I hoped, might be of some use to ascertain, how far, by fitting to metrical arrangement a selection of the real language of men in a state of vivid sensation, that sort of pleasure and that quantity of pleasure may be imparted, which a Poet may rationally endeavour to impart.
Сторінка 156 - Give glory to the Lord your God, before he cause darkness, and before your feet stumble upon the dark mountains, and, while ye look for light, he turn it into the shadow of death, and make it gross darkness.
Сторінка 40 - Whether in Heaven ye wander fair, Or the green corners of the earth, Or the blue regions of the air, Where the melodious winds have birth; Whether on crystal rocks ye rove, Beneath the bosom of the sea Wandering in many a coral grove Fair Nine, forsaking Poetry! How have you left the ancient love That bards of old enjoyed in you! The languid strings do scarcely move! The sound is forced, the notes are few!
Сторінка 306 - A poet is the most unpoetical of anything in existence, because he has no Identity — he is continually in for and filling some other body.
Сторінка 138 - My shaping spirit of Imagination. For not to think of what I needs must feel, But to be still and patient, all I can; And haply by abstruse research to steal From my own nature all the natural man This was my sole resource, my only plan: Till that which suits a part infects the whole, And now is almost grown the habit of my soul.