The Romantic Movement in English PoetryDutton, 1909 - 344 стор. |
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Сторінка 9
... interest in an early Victorian bonnet , not because it is beautiful , but because people once thought it ' genteel . ' But poetry is a reality , an essence , and is unchanged by any change in fashion ; and it is the critic's business to ...
... interest in an early Victorian bonnet , not because it is beautiful , but because people once thought it ' genteel . ' But poetry is a reality , an essence , and is unchanged by any change in fashion ; and it is the critic's business to ...
Сторінка 13
... interest , its importance even ; but all that seriously matters is that part which was not influenced , the poet himself . The personal con- tact of Wordsworth and Coleridge , the Elizabethan reading of Keats , had their influence on ...
... interest , its importance even ; but all that seriously matters is that part which was not influenced , the poet himself . The personal con- tact of Wordsworth and Coleridge , the Elizabethan reading of Keats , had their influence on ...
Сторінка 44
... interests him , he accepts it without dispute ; with indeed a kind of transfiguring love . Thus he writes of the lamb and the tiger , of the joy and sorrow of infants , of the fly and the lily , as no poet of mere observa- tion has ever ...
... interests him , he accepts it without dispute ; with indeed a kind of transfiguring love . Thus he writes of the lamb and the tiger , of the joy and sorrow of infants , of the fly and the lily , as no poet of mere observa- tion has ever ...
Сторінка 65
... interest- ing scenes , during a tour under youthful dejection , ' was pub- 1 ( 1 ) Sonnets and Other Poems , 1785. ( 2 ) Select Poems , 1814. ( 3 ) Occasional Poems , 1814. ( 4 ) Bertram , 1814. ( 5 ) Dunlace Castle , 1814 . ( 6 ) ...
... interest- ing scenes , during a tour under youthful dejection , ' was pub- 1 ( 1 ) Sonnets and Other Poems , 1785. ( 2 ) Select Poems , 1814. ( 3 ) Occasional Poems , 1814. ( 4 ) Bertram , 1814. ( 5 ) Dunlace Castle , 1814 . ( 6 ) ...
Сторінка 70
... interest to life such as was not known without it . ' His poetry was simply the most serious interest in life of a dilettante who would have lacked only an interest in life with- out it . ' On all subjects of taste , ' said Byron ...
... interest to life such as was not known without it . ' His poetry was simply the most serious interest in life of a dilettante who would have lacked only an interest in life with- out it . ' On all subjects of taste , ' said Byron ...
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ballad Barry Cornwall beauty Blake blank verse Byron cadence called Campbell Catullus Charles Lamb Coleridge colour comes conscious Crabbe criticism Dante death delight drama dream edited Elizabethan emotion English poetry expression fancy feeling genius heart human humour imagination impulse Irish JOHN JOSEPH BLANCO WHITE Keats kind Lamb Landor language Latin Leigh Hunt less letter lines lived lyric metre mind Moore moral nature never once ottava rima parody passion perhaps plays pleasure poem poet poetical Prometheus Unbound prose realised reality remembered rendered rhyme rhythm romantic says scene Scott seems seen sense sensitive Shakespeare Shelley Siege of Ancona sincerity songs sonnets soul Southey speaking speech spirit stanza story strange style taste tells things THOMAS DERMODY thought tion touch translation truth turn voice vols wholly WILLIAM MAGINN wonder words Wordsworth writing written wrote
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Сторінка 304 - Dilke on various subjects; several things dove-tailed in my mind, and at once it struck me what quality went to form a Man of Achievement, especially in Literature, and which Shakespeare possessed so enormously— I mean Negative Capability, that is, when a man is capable of being in uncertainties, mysteries, doubts, without any irritable reaching after fact and reason...
Сторінка 138 - But now afflictions bow me down to earth: Nor care I that they rob me of my mirth; But oh! each visitation Suspends what nature gave me at my birth, My shaping spirit of Imagination.
Сторінка 84 - It may be safely affirmed that there neither is, nor can be, any essential difference between the language of prose and metrical composition.
Сторінка 89 - Nor less I deem that there are Powers Which of themselves our minds impress ; That we can feed this mind of ours In a wise passiveness.
Сторінка 84 - I have said that poetry is the spontaneous overflow of powerful feelings: it takes its origin from emotion recollected in tranquillity...
Сторінка 84 - I hoped, might be of some use to ascertain, how far, by fitting to metrical arrangement a selection of the real language of men in a state of vivid sensation, that sort of pleasure and that quantity of pleasure may be imparted, which a Poet may rationally endeavour to impart.
Сторінка 156 - Give glory to the Lord your God, before he cause darkness, and before your feet stumble upon the dark mountains, and, while ye look for light, he turn it into the shadow of death, and make it gross darkness.
Сторінка 40 - Whether in Heaven ye wander fair, Or the green corners of the earth, Or the blue regions of the air, Where the melodious winds have birth; Whether on crystal rocks ye rove, Beneath the bosom of the sea Wandering in many a coral grove Fair Nine, forsaking Poetry! How have you left the ancient love That bards of old enjoyed in you! The languid strings do scarcely move! The sound is forced, the notes are few!
Сторінка 306 - A poet is the most unpoetical of anything in existence, because he has no Identity — he is continually in for and filling some other body.
Сторінка 138 - My shaping spirit of Imagination. For not to think of what I needs must feel, But to be still and patient, all I can; And haply by abstruse research to steal From my own nature all the natural man This was my sole resource, my only plan: Till that which suits a part infects the whole, And now is almost grown the habit of my soul.