The Romantic Movement in English PoetryDutton, 1909 - 344 стор. |
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Сторінка 7
... fact in itself is more import- ant than the expression or illumination of that fact , there can be no literature . Philosophers have often been dreamers , poets turned inside out ; and such may well bring concrete beauty into the domain ...
... fact in itself is more import- ant than the expression or illumination of that fact , there can be no literature . Philosophers have often been dreamers , poets turned inside out ; and such may well bring concrete beauty into the domain ...
Сторінка 9
... fact , that physiological quality which gives its chief power , its rarest subtlety , to prose . Prose listens at the doors of all the senses , and repeats their speech almost in their own tones . But poetry ( it is again Baudelaire who ...
... fact , that physiological quality which gives its chief power , its rarest subtlety , to prose . Prose listens at the doors of all the senses , and repeats their speech almost in their own tones . But poetry ( it is again Baudelaire who ...
Сторінка 13
... fact is certain , and the solu- tion would be useful . ' Who is aware to - day of the existence of a poem called ' The Choice ' or of a poet called Pomfret ? Pomfret held his own for a hundred years , and now is extinct . Enquiry as to ...
... fact is certain , and the solu- tion would be useful . ' Who is aware to - day of the existence of a poem called ' The Choice ' or of a poet called Pomfret ? Pomfret held his own for a hundred years , and now is extinct . Enquiry as to ...
Сторінка 18
... fact , opinion , formality , and tradition ; and when fact , opinion , formality , and tradition go out , imagination comes in . Wordsworth has been looked upon as the leader , as Cole- ridge was the more authentic lawgiver , of this ...
... fact , opinion , formality , and tradition ; and when fact , opinion , formality , and tradition go out , imagination comes in . Wordsworth has been looked upon as the leader , as Cole- ridge was the more authentic lawgiver , of this ...
Сторінка 53
... fact style of treating subjects of the same kind . ' It was here that Crabbe had the critics of the day on his side , and it was because this ' strong language of truth and nature ' was set to the fixed eighteenth - century cadences ...
... fact style of treating subjects of the same kind . ' It was here that Crabbe had the critics of the day on his side , and it was because this ' strong language of truth and nature ' was set to the fixed eighteenth - century cadences ...
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ballad Barry Cornwall beauty Blake blank verse Byron cadence called Campbell Catullus Charles Lamb Coleridge colour comes conscious Crabbe criticism Dante death delight drama dream edited Elizabethan emotion English poetry expression fancy feeling genius heart human humour imagination impulse Irish JOHN JOSEPH BLANCO WHITE Keats kind Lamb Landor language Latin Leigh Hunt less letter lines lived lyric metre mind Moore moral nature never once ottava rima parody passion perhaps plays pleasure poem poet poetical Prometheus Unbound prose realised reality remembered rendered rhyme rhythm romantic says scene Scott seems seen sense sensitive Shakespeare Shelley Siege of Ancona sincerity songs sonnets soul Southey speaking speech spirit stanza story strange style taste tells things THOMAS DERMODY thought tion touch translation truth turn voice vols wholly WILLIAM MAGINN wonder words Wordsworth writing written wrote
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Сторінка 304 - Dilke on various subjects; several things dove-tailed in my mind, and at once it struck me what quality went to form a Man of Achievement, especially in Literature, and which Shakespeare possessed so enormously— I mean Negative Capability, that is, when a man is capable of being in uncertainties, mysteries, doubts, without any irritable reaching after fact and reason...
Сторінка 138 - But now afflictions bow me down to earth: Nor care I that they rob me of my mirth; But oh! each visitation Suspends what nature gave me at my birth, My shaping spirit of Imagination.
Сторінка 84 - It may be safely affirmed that there neither is, nor can be, any essential difference between the language of prose and metrical composition.
Сторінка 89 - Nor less I deem that there are Powers Which of themselves our minds impress ; That we can feed this mind of ours In a wise passiveness.
Сторінка 84 - I have said that poetry is the spontaneous overflow of powerful feelings: it takes its origin from emotion recollected in tranquillity...
Сторінка 84 - I hoped, might be of some use to ascertain, how far, by fitting to metrical arrangement a selection of the real language of men in a state of vivid sensation, that sort of pleasure and that quantity of pleasure may be imparted, which a Poet may rationally endeavour to impart.
Сторінка 156 - Give glory to the Lord your God, before he cause darkness, and before your feet stumble upon the dark mountains, and, while ye look for light, he turn it into the shadow of death, and make it gross darkness.
Сторінка 40 - Whether in Heaven ye wander fair, Or the green corners of the earth, Or the blue regions of the air, Where the melodious winds have birth; Whether on crystal rocks ye rove, Beneath the bosom of the sea Wandering in many a coral grove Fair Nine, forsaking Poetry! How have you left the ancient love That bards of old enjoyed in you! The languid strings do scarcely move! The sound is forced, the notes are few!
Сторінка 306 - A poet is the most unpoetical of anything in existence, because he has no Identity — he is continually in for and filling some other body.
Сторінка 138 - My shaping spirit of Imagination. For not to think of what I needs must feel, But to be still and patient, all I can; And haply by abstruse research to steal From my own nature all the natural man This was my sole resource, my only plan: Till that which suits a part infects the whole, And now is almost grown the habit of my soul.