 Singularity - it should strike the Reader as a wording of his own highest thoughts, and appear almost a Remembrance - 2nd Its touches of Beauty should never be half way ther[e]by making the reader breathless instead of content: the rise, the progress,...  The North British Review - Сторінка 871849Повний перегляд - Докладніше про цю книгу
 | 1849 - 604 стор.
...Shelley exulted, was foreign to the deeper temperament of Keats. One of his canons of poetry was, that ' its touches ' of beauty should never be half-way,...the ' setting of imagery, should, like the sun, come naturally to ' the poet, shine over him, and set soberly, although in niag' nificence, leaving him... | |
 | 1849 - 606 стор.
...strike the reader as the wording of his own highest thoughts, and appear almost a remembrance. 2d, Its touches of beauty should never be half-way, thereby...breathless, instead of content. The rise, the progress, the setling.of imagery should, like the sun, come natural to him, shine over him, and set soberly, although... | |
 | 1848 - 916 стор.
...from the following sentences occurring in a letter :— " Its touches of beauty s'iouUl no ver Ьн half-way, thereby making the reader breathless, instead...imagery should, like the sun, come natural to him, shine orer him, and set soberly, although in magnificence, leaving him in the luxury of twilight." Poetry... | |
 | 1848 - 602 стор.
...should strike the reader as a wording of his own highest thoughts, and appear almost a resemblance. 2nd. Its touches of beauty should never be halfway, thereby...breathless, instead of content. The rise, the progress, Ihe setting of imagery, should, like the HUD, come natural to him, shine over him, and set soberly,... | |
 | Thomas Campbell, Samuel Carter Hall, Edward Bulwer Lytton Baron Lytton, Theodore Edward Hook, Thomas Hood, William Harrison Ainsworth, William Ainsworth - 1848 - 616 стор.
...should strike the reader as a wording of his own highest thoughts, and appear almost a resemblance. 2nd. Its touches of beauty should never be halfway, thereby...breathless, instead of content. The rise, the progress, tlie setting of imagery, should, like the sun, come natural to him, shine over him, and set soberly,... | |
 | John Holmes Agnew, Walter Hilliard Bidwell - 1850 - 604 стор.
...Shelley exulted, was foreign to the deeper temperament of Keats. One of his canons of poetry was, that "its touches of beauty should never be half-way, thereby...the setting of imagery, should, like the sun, come naturally to the poet, shine over him, and set soberly, although in magnificence, leaving him in the... | |
 | 1850 - 600 стор.
...Shelley exulted, was foreign to the deeper temperament of Keats. One of his canons of poetry was, that "its touches of beauty should never be half-way, thereby...the setting of imagery, should, like the sun, come naturally to the poet, shine over him, and set soberly, although in magnificence, leaving him in the... | |
 | 1852 - 302 стор.
...the sun, como natural to him, shine over him, and sot soberly, altheugh in magnificence, leaving hun in the luxury of twilight. But it is easier to think what poetry sheuld be, than to write it. And this leads mo to another axiom — That if poetry comes not as naturally... | |
 | Biographical magazine - 1853 - 586 стор.
...strike the reader as a wording of his own highest thoughts, and appear almost a remembrance. 2. — " Its touches of beauty should never be half-way, thereby...breathless instead of content. The rise, the progress, the telling of imagery should, like the sun, come natural to him, shine over him, and set soberly, although... | |
 | John Keats - 1883 - 416 стор.
...should strike the reader as a vording of his own highest thoughts, and appear almost a remembrance. 2nd. Its touches of beauty should never be half-way, thereby...rise, the progress, the setting of imagery, should, ike the sun, come natural to him, shine over him, and set soberly, although in magnificence, leaving... | |
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