Shakespeare and Machiavelli

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DS Brewer, 2002 - 218 стор.
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Although the question of Machiavellian influence on Shakespeare has been thoroughly debated, this book represents the first attempt to compare the two authors in detail. The playwright and the political philosopher share a common ground, a fascination with the motives and morality of political action, which makes for remarkable similarities in their presentation of the subject. In his deploying of the argument, the author of Il Principe emerges as a dramatic writer, like his English counterpart. The book, while taking in an obvious "Machiavel" figure such as Richard III, considers Machiavelli in relation to Shakespeare's depiction of more conventionally noble princes such as Henry V, together with other monarchs from the Henriad - Richard II and Henry IV - as well as King John. Though the Shakespearean focus falls on the histories, tragic heroes such as Hamlet and Macbeth also receive attention. The study concludes with two chapters on the Roman plays and assesses Shakespeare's representation of the problem of conscience (Julius Caesar) and magnanimity (Antony and Cleopatra) in the light of Machiavelli's republicanism.

JOHN ROE is Senior Lecturer at the University of York.

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Shakespeare and Machiavelli
Richard II and the Bullingbrook Affair Subtle Rhetoric and a Silent King
Henry V The Prince and Cruelty
King John Cruelty and the Action of Conscience
Julius Caesar Conscience and Conspiracy
Anthony and Cleopatra Magnanimity and a Machiavellian Erotics
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John Roe is Senior Lecturer at the University of York.

John Roe is Senior Lecturer at the University of York.

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