But dwelte at hoom, and kepte wel his folde, What so he were, of high or lowe estat, Him wolde he snybbe scharply for the nones. (2) A bettre preest I trowe ther nowher non is. He waytede after no pompe and reverence, Ne makede him a spiced conscience, But Cristes lore, and his apostles twelve, We have a pardoner from Rome, with some sacred relics-as part of the Virgin Mary's veil, and part of the sail of St. Peter's ship-and who is also brimful of pardons come from Rome all hot.' Among the humbler characters are, a 'stout carl' of a miller, a reve or bailiff, and a sompnour or church apparitor, who summoned offenders before the archdeacon's court, but whose fire-red face and licentious habits contrast curiously with the nature of his duties. A shipman, cook, haberdasher, &c., make up the goodly, company--the whole forming such a genuine Hogarthian picture, that we may exclaim, in the eloquent language of Campbell: What an intimate scene of English life in the fourteenth century do we enjoy in these tales, beyond what history displays by glimpses through the stormy atmosphere of her scenes, or the antiquary can discover by the cold light of his researches Chaucer's contemporaries and their successors were justly proud of this national work. Many copies existed in manuscript (a SIX-text edition is now in progress); and when the art of printing came to England, one of the primary duties of Caxton's press was to issue an impression of these inimitable creations. * All the pilgrims in the Canterbury Tales' do not relate stories. Chaucer had not, like Boccaccio, finished his design; for he intended, as we have said, to have given a second series on the return of the company from Canterbury, as well as an account of the transactions in the city when they reached the sacred shrine. The concluding supper at the Tabard, when the successful competitor was to be declared, would have afforded a rich display for the poet's peculiar humour. The parties who do not relate tales-as the poem has reached us-are the yeoman, the ploughman, and the five city mecanics. Like Shakspeare, Chaucer was content to borrow most of the outlines of his plots or stories. The Knight's Tale-the most chivalrous and romantic of the series-is founded on the Theseida of 1 Not high or haughty. 2 Sanb sharply for the occasion. *Much has been done to elucidate the works of the Father of English Poetry by Mr R. Morris, the Rev. Mr. Skeat. Mr. Ellis. Mr. Furnival, and the Chaucer Society. They may be said to have given quite a revival to the old poet. Boccaccio. The Clerk's Tale, so touching in its simplicity and pathos, has also an Italian origin. The Clerk says: The tale thus learned is the pathetic story of Patient Griselde, which was written by Boccaccio, and only translated into Latin by Petrarch. It appears that Petrarch did not translate this tale from Boccaccio's 'Decameron' until the end of September 1373, and Chaucer was in England on the 22d of November following, as is proved by his having that day received his pension in person. But whether or not the two poets ever met, the Italian journey of Chaucer, and the fame and works of Petrarch, must have fired the ambition of the accomplished Englishman, and greatly refined and elevated his literary taste. As a model or example of wifely obedience and implicit faith, this story of Griselde long kept up its celebrity, both in prose and verse. The husband of Griselde certainly carried his trial of his wife's submission to the last extremity-worse even than the trial of the Nut-Brown Maid-when he ordered her to quit his house to make room for a new wife! But even this Griselde could endure: 'And of your new wife God of his grace 'But thereas ye profre me such dowayre Ye seemed by your speech and your visage Griselde, the 'flower of wifely patience,' goes to her father's house. But at length the marquis, her husband, sends for her, declares that he has been merely playing an assumed part, that he will have no other wife, nor ever had, and she is introduced to her two children whom she believed dead: When she this heard, aswoone down she falleth O, such a piteous thing it was to see Her swooning, and her humble voice to hear! 'Grand mercy, lord! God thank it you,' quoth she, That ye 'O, tender, dear, young children mine! Hath done you keep;' and in that same stound And in her swoon so sadly holdeth she Her children two, when she gan them embrace. The happy ending of the story and the husband's declaration: I have done this deed For no malice, ne for no cruelty, But for t' assay thee in thy womanhood will not reconcile the reader to his marital experiment; but such tales appear to have been more suited to the ideas of the spinsters and knitters in the sun' in the old age.' The Squire's Tale, 'the story of Cambuscan bold,' by which Milton characterises Chaucer, has not been traced to any other source. For two of his stories-the 'Man of Law's Tale,' and the 'Wife of Bath's Tale,' Chaucer was indebted to the Confessio Amantis' of his contemporary Gower. Boccaccio was laid under contribution for other outlines, but the influence of French literature was perhaps more predominant with the poet than that of Italy. The Prioress's Tale, the scene of which is laid in Asia, is supposed to be taken from some legend of the miracles of the Virgin, one of the oldest of the many stories, which have been propagated at different times, to excite or justify several merciless persecutions of the Jews upon the charge of murdering Christian children.' The Nun's Priest's Tale (containing the fable of the cock and the fox) and the Merchant's Tale (modernised by Pope) have some minute painting of natural objects and scenery in Chaucer's clear and simple style. The tales of the Miller and Reve are coarse, but richly humorous. The following extracts are slightly modernised: The Poor Country Widow.-From the Nun's Priest's Tale. For little was her cattle and her rent; Three kine, and eke a sheep that hight Mail: Ne apoplexy shente (2) not her head; No wine ne drank she neither white nor red; Her board was served most with white and black, In which she had a cock hight Chanticleer, In all the land, of crowing n'as his peer. His voice was merrier than the merry organ, On massé-days that in the churché gon; For when degrees fifteen were ascended, And like the burnished gold was his colour. The King of Inde.-From the Knight's Tale. The great Emetrius, the king of Inde, Upon a steed bay, trapped in steel Covered with cloth of gold, diapered well, Came riding like the god of arms, Mars. His coat-armour was of cloth of Tars, Couched with pearls white, and round, and great; A mantelet upon his shoulders hanging And that was yellow and glittered in the sun. 2 Hurt. 3. Singed or broiled. Mr. 4 Mr. Tyrwhitt supposed the word dey to refer to the management of a dairy. Morris states that, in the statute 37 Edward H. (1363), the dergis mentioned among others of a certain rank, not having goods or chattels of forty shillings value. 5 Surer. 6 Toes. And as a lion he his looking cast. Of five and twenty year his age I cast. For trusteth well that dukes, earls, kings Emily. From the Knight's Tale. The Death of Arcite.-From the same. Nature hath now no domination: And certainly where nature will not werche, (2) Since that my life ne may no longer durc. 1 Subtle, artfully contrived. |