Rousseau and RomanticismHoughton, Mifflin, 1919 - 426 стор. |
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Сторінка xviii
... appear in the following pages , is that it encourages the making of scapegoats . - If I am opposed to Rousseauism because of its fruits in experience , I try to put what I have to offer as a substitute on the same positive basis . Now ...
... appear in the following pages , is that it encourages the making of scapegoats . - If I am opposed to Rousseauism because of its fruits in experience , I try to put what I have to offer as a substitute on the same positive basis . Now ...
Сторінка 7
... appears at the end of the seventeenth century and plainly as a borrowing from the French . Heidigger , a Swiss , used it several times in his " Mythoscopia romantica , " 2 an attack on romances and the wild and vain imaginings they ...
... appears at the end of the seventeenth century and plainly as a borrowing from the French . Heidigger , a Swiss , used it several times in his " Mythoscopia romantica , " 2 an attack on romances and the wild and vain imaginings they ...
Сторінка 30
... appears at times too ready to justify the bourgeois against the man who has less timid and conventional views . So at least Rousseau thought when he made his famous attack on Molière.1 Rousseau as- sailed Molière in the name of instinct ...
... appears at times too ready to justify the bourgeois against the man who has less timid and conventional views . So at least Rousseau thought when he made his famous attack on Molière.1 Rousseau as- sailed Molière in the name of instinct ...
Сторінка 33
Irving Babbitt. have about them a taint of formalism . Perhaps this taint appears most conspicuously in his conception of decorum . A man may be willing to impose restrictions on his ordi- nary self- and every type of decorum is ...
Irving Babbitt. have about them a taint of formalism . Perhaps this taint appears most conspicuously in his conception of decorum . A man may be willing to impose restrictions on his ordi- nary self- and every type of decorum is ...
Сторінка 43
... appears in the very motto he took for his " Es- thetic Letters " Schiller was helped to this faith in man's native goodness by Rousseau . We need to pause for a moment at this point and consider the background of this ROMANTIC GENIUS 43.
... appears in the very motto he took for his " Es- thetic Letters " Schiller was helped to this faith in man's native goodness by Rousseau . We need to pause for a moment at this point and consider the background of this ROMANTIC GENIUS 43.
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Загальні терміни та фрази
according actual æsthetic Arcadian Aristotle artificial beautiful soul become Buddha Buddhism Byron centre Chateaubriand Christian classical classicist convention cult decorum Descartes desire discipline distinction doctrine dream eighteenth century element emotional especially ethical imagination example expansive fact feeling French Friedrich Schlegel George Sand German Goethe Greek happiness heart human law human nature humanistic ideal illusion imitation impulse infinite inner insight intellect irony less literature lust man's mediæval melancholy ment merely modern Molière moral movement Musset natural law naturalistic neo-classical neo-classicists Novalis one's original genius outer passage passion perception perhaps philosophy poet poetical poetry positive and critical primitivistic pure reality reason religion religious revery rôle romantic romanticism romanticist Rous Rousseau Rousseauist says scarcely Schlegel sense Shelley Socrates spirit spontaneity superrational symbol Taoist temperament temperamental things tion traditional true truth virtue whole wish word Wordsworth writes
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Сторінка 226 - I can give not what men call love, But wilt thou accept not The worship the heart lifts above And the Heavens reject not, The desire of the moth for the star, Of the night for the morrow, The devotion to something afar From the sphere of our sorrow...
Сторінка 303 - O Lady ! we receive but what we give, And in our life alone does Nature live; Ours is her wedding-garment, ours her shroud ! And would we aught behold, of higher worth, Than that inanimate cold world allowed To the poor loveless ever-anxious crowd, Ah! from the soul itself must issue forth A light, a glory, a fair luminous cloud Enveloping the Earth — And from the soul itself must there be sent A sweet and potent voice, of its own birth, Of all sweet sounds the life and element...
Сторінка 13 - This worthless present was designed you long before it was a play; when it was only a confused mass of thoughts, tumbling over one another in the dark; when the fancy was yet in its first work, moving the sleeping images of things towards the light, there to be distinguished, and then either chosen or rejected by the judgment; it was yours, my Lord, before I could call it mine.
Сторінка 291 - Make me thy lyre, even as the forest is : What if my leaves are falling like its own ! The tumult of thy mighty harmonies Will take from both a deep, autumnal tone, Sweet though in sadness. Be thou, spirit fierce, My spirit ! Be thou me, impetuous one...
Сторінка 12 - ... those that observe their similitudes, in case they be such as are but rarely observed by others, are said to have a good wit ; by which, in this occasion, is meant a good fancy.
Сторінка 184 - The sway of alcohol over mankind is unquestionably due to its power to stimulate the mystical faculties of human nature, usually crushed to earth by the cold facts and dry criticisms of the sober hour. Sobriety diminishes, discriminates, and says no ; drunkenness expands, unites, and says yes.
Сторінка 192 - So that in the first place I put for a general inclination of all mankind a perpetual and restless desire of power after power, that ceaseth only in death.
Сторінка 25 - New sentiments and new images others may produce ; but to attempt any further improvement of versification will be dangerous. Art and diligence have now done their best, and what shall be added will be the effort of tedious toil and needless curiosity.
Сторінка 212 - O lyric Love, half angel and half bird, And all a wonder and a wild desire, — Boldest of hearts that ever braved the sun, Took sanctuary within the holier blue, And sang a kindred soul out to his face, — Yet human at the red-ripe of the heart — When the first summons from the darkling earth Reached thee amid thy chambers, blanched their blue, And bared them of the glory...
Сторінка 72 - Chacun songe en veillant ; il n'est rien de plus doux. Une flatteuse erreur emporte alors nos âmes ; Tout le bien du monde est à nous, Tous les honneurs, toutes les femmes.