Shakespeare's SonnetsRoutledge, 13 вер. 2013 р. - 200 стор. This edition first published in 1979. Discussing Shakespeare's sonnets in relation to sonnets by Italian, French and English poets, Kenneth Muir shows how they were influenced by Shakespeare's reading of Sidney, Erasmus and Ovid and discusses their art in terms of construction, sound patterns and imagery. He considers the relationship of the sonnets to Shakespeare's dramatic writing, while stressing the dramatic element in the sonnets themselves. Finally he surveys the changing attitudes to the sonnets during the last three centuries. |
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... spirit (CXLIV) is sandwiched between two trivial love-poems. The narrative line, both here and in the main sequence, is erratic. It is therefore to be expected that many critics and most editors should believe that Sonnets XLI and XLII ...
... spirit (CXLIV) is sandwiched between two trivial love-poems. The narrative line, both here and in the main sequence, is erratic. It is therefore to be expected that many critics and most editors should believe that Sonnets XLI and XLII ...
Сторінка 7
... spirit of the genre; but happily this is impossible. None of the proposed rearrangements has given much satisfaction, except to its originator. The favourite method, summarised in the Variorum edition, is to juxtapose sonnets with ...
... spirit of the genre; but happily this is impossible. None of the proposed rearrangements has given much satisfaction, except to its originator. The favourite method, summarised in the Variorum edition, is to juxtapose sonnets with ...
Сторінка 8
... spirit in a waste of shame' (CXXIX), nor even with 'Poor soul, the centre of my sinful earth' (CXLVI). Yet, when all is said, the rearrangements according to rhyming, by Bray and others, do not give greater coherence to the sequence ...
... spirit in a waste of shame' (CXXIX), nor even with 'Poor soul, the centre of my sinful earth' (CXLVI). Yet, when all is said, the rearrangements according to rhyming, by Bray and others, do not give greater coherence to the sequence ...
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Зміст
1 | |
2 The Vogue of the Sonnet | 14 |
3 Tradition and the Individual Talent | 30 |
4 Commentary | 45 |
5 Style | 88 |
6 The Truest Poetry | 112 |
7 Links with Other Works | 123 |
8 Critical History | 139 |
Appendixes | 152 |
Notes | 164 |
Select Bibliography | 175 |
Index | 177 |
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Загальні терміни та фрази
alliteration Amoretti appears argued argument Astrophil and Stella autobiographical Baldwin beauty beauty's believe Berowne's C. S. Lewis chapter compared concerned contrast critics Dark Lady Dark Lady sonnets death doth Dover Wilson Drayton echoed edition Elizabethan Sonnet Erasmus Essay example eyes fair flowers friendship hath heart Hotson Hubler ibid idea imagery imitated immortalising immortality Keats Kenneth Muir later Leslie Hotson linked Literary Genetics live loue Love's Love's Labour's Lost lover Lover's Complaint lust marry means Melchiori merely mistress Ovid parallels Petrarch phrase plays poem Poet's poetry praise previous sonnet Psalms quatrain quibbles Redpath refer rhyme Rival Poet Rollins Ronsard second quatrain seems sequence seventeen sonnets sexual Shakespeare Shakespeare's Sonnets shame Sidney Sidney's Sonnets were written Southampton Spenser spirit Stephen Booth suggested summer's sweet thee theme thine things third quatrain Time's true Venus and Adonis verse words writing wrote XCIV