Rhythm and Will in Victorian PoetryCambridge University Press, 22 квіт. 1999 р. - 272 стор. In Rhythm and Will in Victorian Poetry, first published in 1999, Matthew Campbell explores the work of four Victorian poets - Tennyson, Browning, Hopkins and Hardy - as they show a consistent and innovative concern with questions of human agency and will. The Victorians saw the virtues attendant upon a strong will as central to themselves and to their culture, and Victorian poetry strove to find an aesthetic form to represent this sense of the human will. Through close study of the metre, rhyme and rhythm of a wide range of poems - including monologue, lyric and elegy - Campbell reveals how closely technical questions of poetics are related, in the work of these poets, to issues of psychology, ethics and social change. He goes on to discuss more general questions of poetics, and the implications of the achievement of the Victorian poets in a wider context, from Milton through Romanticism and into contemporary critical debate. |
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Сторінка i
... monologue , lyric and elegy – Campbell reveals how closely techni- cal questions of poetics are related , in the work of these poets , to issues of psychology , ethics and social change . He goes on to discuss more general questions of ...
... monologue , lyric and elegy – Campbell reveals how closely techni- cal questions of poetics are related , in the work of these poets , to issues of psychology , ethics and social change . He goes on to discuss more general questions of ...
Сторінка ix
... MONOLOGUE AND MONODRAMA 4 Browning and the element of action 5 " Tis well that I should bluster ' : Tennyson's monologues PART THREE : MAKING A WILL 6 The drift of In Memoriam 15 64 99 125 157 7 Incarnating elegy in The Wreck of the ...
... MONOLOGUE AND MONODRAMA 4 Browning and the element of action 5 " Tis well that I should bluster ' : Tennyson's monologues PART THREE : MAKING A WILL 6 The drift of In Memoriam 15 64 99 125 157 7 Incarnating elegy in The Wreck of the ...
Сторінка 2
... monologue . They come from the speech of Pallas Athene , describing the benefits which will follow if Oenone's lover Paris decides to opt for the way of will . The speech continues in the poem ( not quoted by Hallam ) a few lines after ...
... monologue . They come from the speech of Pallas Athene , describing the benefits which will follow if Oenone's lover Paris decides to opt for the way of will . The speech continues in the poem ( not quoted by Hallam ) a few lines after ...
Сторінка 4
... which explores character in dramatic monologue and loss in elegy , and we have a concern with sounding a sense of self or 8 caracter through the experience of that character's volitional abilities or 4 Introduction : two decisions.
... which explores character in dramatic monologue and loss in elegy , and we have a concern with sounding a sense of self or 8 caracter through the experience of that character's volitional abilities or 4 Introduction : two decisions.
Сторінка 5
... monologue and in Victorian versions of elegy. The means of sounding the many voices which the poetry of Tennyson, Browning, Hopkins and Hardy presents us, is through an ear for prosodic innovations. These innovations are con- cerned ...
... monologue and in Victorian versions of elegy. The means of sounding the many voices which the poetry of Tennyson, Browning, Hopkins and Hardy presents us, is through an ear for prosodic innovations. These innovations are con- cerned ...
Зміст
1 | |
13 | |
PART TWO Monologue and monodrama | 97 |
PART THREE Making a will | 155 |
Notes | 239 |
Bibliography | 259 |
Index | 269 |
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active aesthetic agency anapaest Armstrong Arthur Hallam artist attempts Barrett beat body Browning Browning's Cambridge character Christopher Ricks Coleridge conception consciousness criticism dead death Dennis Taylor describes dramatic monologue drift echo effect elegy English Eric Griffiths Essays existence experience feeling final Gerard Manley Hopkins ghost gives Guido Hallam Tennyson Hardy's heart human iambic iambs imagined language Lippo London lyric Macmillan Mariana Maud meaning Memoriam metre metrical Milton mind mood move movement nature nineteenth-century objects Oxford University Press passage passion passive perception picture poem poem's poet poet's poetic Pompilia possible prosody reader reading rhyme rhythm rhythmic Robert Bridges says sonic Sordello soul sound speak speaker speech sprung rhythm stanza stress strives suggests syllables T. S. Eliot thee thing Thomas Hardy thought tion Ulysses verb Victorian Poetry voice W. B. Yeats word Wordsworth writing Yeats