Rhythm and Will in Victorian PoetryCambridge University Press, 22 квіт. 1999 р. - 272 стор. In Rhythm and Will in Victorian Poetry, first published in 1999, Matthew Campbell explores the work of four Victorian poets - Tennyson, Browning, Hopkins and Hardy - as they show a consistent and innovative concern with questions of human agency and will. The Victorians saw the virtues attendant upon a strong will as central to themselves and to their culture, and Victorian poetry strove to find an aesthetic form to represent this sense of the human will. Through close study of the metre, rhyme and rhythm of a wide range of poems - including monologue, lyric and elegy - Campbell reveals how closely technical questions of poetics are related, in the work of these poets, to issues of psychology, ethics and social change. He goes on to discuss more general questions of poetics, and the implications of the achievement of the Victorian poets in a wider context, from Milton through Romanticism and into contemporary critical debate. |
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Результати 1-5 із 42
Сторінка i
... ( 1994 ) . He has published articles in Essays in Criticism , English , Tennyson Research Bulletin , Bullán and the European Journal of English Studies . MMMMMM CAMBRIDGE STUDIES IN NINETEENTH - CENTURY LITERATURE AND CULTURE Half-title.
... ( 1994 ) . He has published articles in Essays in Criticism , English , Tennyson Research Bulletin , Bullán and the European Journal of English Studies . MMMMMM CAMBRIDGE STUDIES IN NINETEENTH - CENTURY LITERATURE AND CULTURE Half-title.
Сторінка iv
... critics have tracked the intersections and tensions between Victorian literature and the visual arts, politics, social organisation, economic life, technical innova- tions, scientific thought – in short, culture in its broadest sense ...
... critics have tracked the intersections and tensions between Victorian literature and the visual arts, politics, social organisation, economic life, technical innova- tions, scientific thought – in short, culture in its broadest sense ...
Сторінка xi
... critics and poets into responses to his call for a clarification of prosodic discussion , and a reclamation of it back from the linguists.3 Hopefully , an ear for prosodic events can then return to the xi Preface and acknowledgements.
... critics and poets into responses to his call for a clarification of prosodic discussion , and a reclamation of it back from the linguists.3 Hopefully , an ear for prosodic events can then return to the xi Preface and acknowledgements.
Сторінка xii
... critic expect from their readers . However , this book is not entirely a book on metre or rhythm , as it is not entirely a ... Criticism and Memory and Memorials , 1789–1914 . This book began as a PhD thesis on Tennyson's poetry at the ...
... critic expect from their readers . However , this book is not entirely a book on metre or rhythm , as it is not entirely a ... Criticism and Memory and Memorials , 1789–1914 . This book began as a PhD thesis on Tennyson's poetry at the ...
Сторінка 9
... criticism of ' Oenone ' and Tennyson's early poetry , in terms which are applicable to the marginalised yet titular heroine : she is in ' that hovering state between the fatality of suffering victim and the striving , seeking ...
... criticism of ' Oenone ' and Tennyson's early poetry , in terms which are applicable to the marginalised yet titular heroine : she is in ' that hovering state between the fatality of suffering victim and the striving , seeking ...
Зміст
1 | |
13 | |
PART TWO Monologue and monodrama | 97 |
PART THREE Making a will | 155 |
Notes | 239 |
Bibliography | 259 |
Index | 269 |
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Загальні терміни та фрази
active aesthetic agency anapaest Armstrong Arthur Hallam artist attempts Barrett beat body Browning Browning's Cambridge character Christopher Ricks Coleridge conception consciousness criticism dead death Dennis Taylor describes dramatic monologue drift echo effect elegy English Eric Griffiths Essays existence experience feeling final Gerard Manley Hopkins ghost gives Guido Hallam Tennyson Hardy's heart human iambic iambs imagined language Lippo London lyric Macmillan Mariana Maud meaning Memoriam metre metrical Milton mind mood move movement nature nineteenth-century objects Oxford University Press passage passion passive perception picture poem poem's poet poet's poetic Pompilia possible prosody reader reading rhyme rhythm rhythmic Robert Bridges says sonic Sordello soul sound speak speaker speech sprung rhythm stanza stress strives suggests syllables T. S. Eliot thee thing Thomas Hardy thought tion Ulysses verb Victorian Poetry voice W. B. Yeats word Wordsworth writing Yeats