Rhythm and Will in Victorian PoetryCambridge University Press, 22 квіт. 1999 р. - 272 стор. In Rhythm and Will in Victorian Poetry, first published in 1999, Matthew Campbell explores the work of four Victorian poets - Tennyson, Browning, Hopkins and Hardy - as they show a consistent and innovative concern with questions of human agency and will. The Victorians saw the virtues attendant upon a strong will as central to themselves and to their culture, and Victorian poetry strove to find an aesthetic form to represent this sense of the human will. Through close study of the metre, rhyme and rhythm of a wide range of poems - including monologue, lyric and elegy - Campbell reveals how closely technical questions of poetics are related, in the work of these poets, to issues of psychology, ethics and social change. He goes on to discuss more general questions of poetics, and the implications of the achievement of the Victorian poets in a wider context, from Milton through Romanticism and into contemporary critical debate. |
З цієї книги
Результати 1-5 із 53
Сторінка i
... Hopkins and Hardy - as they show a consistent and innovative concern with questions of human agency and will . The Victorians saw the virtues attendant upon a strong will as central to themselves and to their culture , and Victorian ...
... Hopkins and Hardy - as they show a consistent and innovative concern with questions of human agency and will . The Victorians saw the virtues attendant upon a strong will as central to themselves and to their culture , and Victorian ...
Сторінка x
Matthew Campbell. X XXXXX Preface and acknowledgements Discussing the inappropriateness of Gerard Manley Hopkins.
Matthew Campbell. X XXXXX Preface and acknowledgements Discussing the inappropriateness of Gerard Manley Hopkins.
Сторінка xi
... Hopkins ' own metrical practice ' garbled ' , but also to those who have difficulty perceiving rhythm at all . Whatever the method of description , all the prosodist is describing is the perception , in which all who listen may share ...
... Hopkins ' own metrical practice ' garbled ' , but also to those who have difficulty perceiving rhythm at all . Whatever the method of description , all the prosodist is describing is the perception , in which all who listen may share ...
Сторінка xii
... Hopkins and Thomas Hardy . It touches on contemporary and Victor- ian prosodic theory and practice where necessary , as it also attempts to provide some historical basis for what might be meant by ' will ' in this period . But this is a ...
... Hopkins and Thomas Hardy . It touches on contemporary and Victor- ian prosodic theory and practice where necessary , as it also attempts to provide some historical basis for what might be meant by ' will ' in this period . But this is a ...
Сторінка xiv
... Hopkins , ed . Catherine Phillips , the Oxford Authors ( Oxford : Oxford University Press , 1986 ) . The Poems of Tennyson , 2nd edn , ed . Christopher Ricks , 3 vols . ( London : Longman , 1987 ) . CHAPTER I Introduction : two ...
... Hopkins , ed . Catherine Phillips , the Oxford Authors ( Oxford : Oxford University Press , 1986 ) . The Poems of Tennyson , 2nd edn , ed . Christopher Ricks , 3 vols . ( London : Longman , 1987 ) . CHAPTER I Introduction : two ...
Зміст
1 | |
13 | |
PART TWO Monologue and monodrama | 97 |
PART THREE Making a will | 155 |
Notes | 239 |
Bibliography | 259 |
Index | 269 |
Інші видання - Показати все
Загальні терміни та фрази
active aesthetic agency anapaest Armstrong Arthur Hallam artist attempts Barrett beat body Browning Browning's Cambridge character Christopher Ricks Coleridge conception consciousness criticism dead death Dennis Taylor describes dramatic monologue drift echo effect elegy English Eric Griffiths Essays existence experience feeling final Gerard Manley Hopkins ghost gives Guido Hallam Tennyson Hardy's heart human iambic iambs imagined language Lippo London lyric Macmillan Mariana Maud meaning Memoriam metre metrical Milton mind mood move movement nature nineteenth-century objects Oxford University Press passage passion passive perception picture poem poem's poet poet's poetic Pompilia possible prosody reader reading rhyme rhythm rhythmic Robert Bridges says sonic Sordello soul sound speak speaker speech sprung rhythm stanza stress strives suggests syllables T. S. Eliot thee thing Thomas Hardy thought tion Ulysses verb Victorian Poetry voice W. B. Yeats word Wordsworth writing Yeats