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advantage agreeable antient appears argument Aristotle artisicial Athenians attention Author beauty begin benesit Bishop Atterbury cause character Cicero Cluentius composition consider Dean Swift degree delivery Demosthenes desicient diffuse Discourse dissicult duction effect elegant Eloquence employed endeavour expression fame fancy favourable fense French Gavius genius give grace Greece hath hearers heart honour idea imagination inaccuracies Isocrates Judges kind language Larinum lecT LECTURE Lysias magnisicent manner Massillon means ment mind nature neral never object observe occasion Oppianicus Orator Oratory ornament panegyric particular passions pathetic pause peculiar persuasion pleading pleasures Popular Assemblies praise Preacher preaching proper propriety Public Speaking Pulpit quam quence Quinctilian racter reason remark render Rhetoric rife Roman rule sentence sentiments Sermon shew sield sigures Simplicity sinished sion sirst Speaker strain Style sussicient tence thing thofe thor thought tion tone truth voice warmth whole words writing
Сторінка 24 - They have not the formality of a settled style, in which the first half of the sentence betrays the other. The clauses are never balanced, nor the periods modelled: every word seems to drop by chance, though it falls into its proper place. Nothing is cold or languid; the whole is airy, animated, and vigorous; what is little, is gay; what is great, is splendid.
Сторінка 118 - I have here supposed that my reader is acquainted with that great modern discovery, which is at present universally acknowledged by all the inquirers into natural philosophy: namely, that light and colours, as apprehended by the imagination, are only ideas in the mind, and not qualities that have any existence in matter.
Сторінка 158 - ... or encouragement for popular orators; their giving not only the freedom of the city, but capacity for employments, to several towns in Gaul, Spain, and Germany...
Сторінка 80 - Delightful scenes, whether in nature, painting, or poetry, have a kindly influence on the body as well as the mind ; and not only serve to clear and brighten the imagination, but are able to disperse grief and melancholy, and to set the animal spirits in pleasing and agreeable motions.
Сторінка 145 - My lord, I do here, in the name of all the learned and polite persons of the nation, complain to your lordship, as first minister, that our language is extremely imperfect; that its daily improvements are by no means in proportion to its daily corruptions; that the pretenders to polish and refine it, have chiefly multiplied abuses and absurdities; and that in many instances it offends against every part of grammar.
Сторінка 134 - They choose rather to show a genius in works of this nature; and therefore always conceal the art by which they direct themselves. They have a word it seems in their language, by which they express the particular beauty of a plantation that thus strikes the imagination at first sight, without discovering what it is that has so agreeable an effect.
Сторінка 402 - The signification of our sentiments, made by tones and gestures, has this advantage above that made by words, "that it is the language of nature. It is that method of interpreting our mind, which nature has dictated to all, and which is understood by all ; whereas, words are only arbitrary, conventional symbols of our ideas ; and, by consequence, must make a more feeble impression.
Сторінка 46 - But if mere unaffectedness were sufficient to constitute the beauty of Style, weak, trifling, and dull writers might often lay claim to this beauty. And accordingly we frequently meet with pretended critics, who extol the dullest writers on account of what they call the " Chaste Simplicity of their manner...
Сторінка 53 - In the third place, with respect to the assistance that is to be gained from the writings of others, it is obvious, that we ought to render ourselves well acquainted with the style of the best authors. This is requisite both...
Сторінка 379 - The mode of reasoning most generally used, and most suited to the train of Popular Speaking, is what is called the Synthetic ; when the point to be proved is fairly laid down, and one Argument after another is made to bear upon it, till the hearers be fully convinced.