Essays in Criticism: Second SeriesBernhard Tauchnitz, 1892 - 264 стор. |
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Сторінка 13
... sense of the best in poetry , and of the strength and joy to be drawn from it , is the most precious benefit which we can gather from a poetical collection such as the present . And yet in the very nature and conduct of such a ...
... sense of the best in poetry , and of the strength and joy to be drawn from it , is the most precious benefit which we can gather from a poetical collection such as the present . And yet in the very nature and conduct of such a ...
Сторінка 17
... sense and a deeper enjoyment of what is truly excellent . To trace the labour , the attempts , the weaknesses , the failures of a genuine classic , to acquaint oneself with his time and his life and his historical relationships , is ...
... sense and a deeper enjoyment of what is truly excellent . To trace the labour , the attempts , the weaknesses , the failures of a genuine classic , to acquaint oneself with his time and his life and his historical relationships , is ...
Сторінка 24
... sense enabling us , whatever poetry may be laid before us , to feel the degree in which a high poetical quality is present or wanting there . Critics give themselves great labour to draw out what in the abstract constitutes the ...
... sense enabling us , whatever poetry may be laid before us , to feel the degree in which a high poetical quality is present or wanting there . Critics give themselves great labour to draw out what in the abstract constitutes the ...
Сторінка 30
... sense . " It is by a large , free , sound representation of things , that poetry , this high criticism of life , has truth of sub- stance ; and Chaucer's poetry has truth of substance . Of his style and manner , if we think first of the ...
... sense . " It is by a large , free , sound representation of things , that poetry , this high criticism of life , has truth of sub- stance ; and Chaucer's poetry has truth of substance . Of his style and manner , if we think first of the ...
Сторінка 41
... sense be masters of the art of versification , Dryden and Pope are not classics of our poetry , they are classics of our prose . Gray is our poetical classic of that literature and age ; the position of Gray is singular , and demands a ...
... sense be masters of the art of versification , Dryden and Pope are not classics of our poetry , they are classics of our prose . Gray is our poetical classic of that literature and age ; the position of Gray is singular , and demands a ...
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accent admirers Amiel Amiel's Journal Anna Karénine beauty Burns Byron called century character charm Chaucer classic Count Tolstoi diction Dryden English poetry English poets Essays in Criticism excellence Fanny Brawne faults feel France French gift give glory Godwin Goethe Gray Gray's happiness Harriet Hogg Jesus judgment Keats kind Kitty language Leopardi letters Levine Levine's literary living Lord Byron Lord Macaulay Madame Bovary manner matter MATTHEW ARNOLD Milton mind Molière moral ideas nature ness never novel passages passion Paul Bourget Pembroke Hall perhaps poems poet poet's poetic truth praise produced Professor Dowden profound prose real estimate recognise religion Sainte-Beuve Scherer Scotch Second Series sense seriousness Shakespeare Shelley Shelley's sincerity sort soul speak spirit superiority tells things thought tion true verse virtue Voltaire volume whole words Wordsworth Wordsworth's poetry Wordsworthian worth writes Wronsky wrote
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Сторінка 45 - Tho' they may gang a kennin wrang, To step aside is human : One point must still be greatly dark, The moving Why they do it ; And just as lamely can ye mark, How far perhaps they rue it. Who made the heart, 'tis He alone Decidedly can try us, He knows each chord its various tone, Each spring its various bias : Then at the balance let's be mute, We never can adjust it ; What's done we partly may compute, But know not what's resisted.
Сторінка 165 - Were with his heart, and that was far away ; He recked not of the life he lost, nor prize ; But where his rude hut by the Danube lay, There were his young barbarians all at play, There was their Dacian mother, — he, their sire, Butchered to make a Roman holiday.
Сторінка 47 - Had we never loved sae kindly, Had we never loved sae blindly, Never met, or never parted, We had ne'er been broken-hearted.
Сторінка 38 - I was confirmed in this opinion, that he who would not be frustrate of his hope to write well hereafter in laudable things, ought himself to be a true poem...
Сторінка 120 - Nor love thy life, nor hate; but what thou liv'st Live well; how long or short, permit to Heaven: And now prepare thee for another sight.
Сторінка 9 - The future of poetry is immense, because in poetry, where it is worthy of its high destinies, our race, as time goes on, will find an ever surer and surer stay.
Сторінка 250 - The One remains, the many change and pass; Heaven's light forever shines, Earth's shadows fly ; Life, like a dome of many-coloured glass, Stains the white radiance of Eternity, Until Death tramples it to fragments.
Сторінка 23 - What though the field be lost? All is not lost; the unconquerable will, And study of revenge, immortal hate, And courage never to submit or yield: And what is else not to be overcome?
Сторінка 23 - Horatio, what a wounded name, Things standing thus unknown, shall live behind me. If thou didst ever hold me in thy heart, Absent thee from felicity awhile, And in this harsh world draw thy breath in pain, To tell my story.
Сторінка 132 - Must hear Humanity in fields and groves Pipe solitary anguish; or must hang Brooding above the fierce confederate storm Of sorrow, barricadoed evermore Within the walls of cities — may these sounds Have their authentic comment; that even these Hearing, I be not downcast or forlorn!