Essays in Criticism: Second SeriesBernhard Tauchnitz, 1892 - 264 стор. |
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Сторінка 15
... classic is a mist as dangerous to the future of a literature as it is in- tolerable for the purposes of history . " " It hinders , " he goes on , " it hinders us from seeing more than one single point , the culminating and exceptional ...
... classic is a mist as dangerous to the future of a literature as it is in- tolerable for the purposes of history . " " It hinders , " he goes on , " it hinders us from seeing more than one single point , the culminating and exceptional ...
Сторінка 16
... classic character . If he is a dubious classic , let us sift him ; if he is a false classic , let us explode him . But if he is a real classic , if his work belongs to the class of the very best ( for this is the true and right meaning ...
... classic character . If he is a dubious classic , let us sift him ; if he is a false classic , let us explode him . But if he is a real classic , if his work belongs to the class of the very best ( for this is the true and right meaning ...
Сторінка 17
... classic , to acquaint oneself with his time and his life and his historical relationships , is mere literary dilettantism unless it has that clear sense and deeper enjoyment for its end . It may be said that the more we know about a classic ...
... classic , to acquaint oneself with his time and his life and his historical relationships , is mere literary dilettantism unless it has that clear sense and deeper enjoyment for its end . It may be said that the more we know about a classic ...
Сторінка 18
... classic in poetry , that we do well , I say , to set it fixedly before our minds as our object in studying poets and poetry , and to make the desire of attaining it the one principle to which , as the Imitation says , whatever we may ...
... classic in poetry , that we do well , I say , to set it fixedly before our minds as our object in studying poets and poetry , and to make the desire of attaining it the one principle to which , as the Imitation says , whatever we may ...
Сторінка 27
... classics . But the predominance of French poetry in Europe , during the twelfth and thirteenth centuries , is due to its poetry of the langue d'oil , the poetry of northern France and of the tongue which is now the French language . In ...
... classics . But the predominance of French poetry in Europe , during the twelfth and thirteenth centuries , is due to its poetry of the langue d'oil , the poetry of northern France and of the tongue which is now the French language . In ...
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accent admirers Amiel Amiel's Journal Anna Karénine beauty Burns Byron called century character charm Chaucer classic Count Tolstoi diction Dryden English poetry English poets Essays in Criticism excellence Fanny Brawne faults feel France French gift give glory Godwin Goethe Gray Gray's happiness Harriet Hogg Jesus judgment Keats kind Kitty language Leopardi letters Levine Levine's literary living Lord Byron Lord Macaulay Madame Bovary manner matter MATTHEW ARNOLD Milton mind Molière moral ideas nature ness never novel passages passion Paul Bourget Pembroke Hall perhaps poems poet poet's poetic truth praise produced Professor Dowden profound prose real estimate recognise religion Sainte-Beuve Scherer Scotch Second Series sense seriousness Shakespeare Shelley Shelley's sincerity sort soul speak spirit superiority tells things thought tion true verse virtue Voltaire volume whole words Wordsworth Wordsworth's poetry Wordsworthian worth writes Wronsky wrote
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Сторінка 45 - Tho' they may gang a kennin wrang, To step aside is human : One point must still be greatly dark, The moving Why they do it ; And just as lamely can ye mark, How far perhaps they rue it. Who made the heart, 'tis He alone Decidedly can try us, He knows each chord its various tone, Each spring its various bias : Then at the balance let's be mute, We never can adjust it ; What's done we partly may compute, But know not what's resisted.
Сторінка 165 - Were with his heart, and that was far away ; He recked not of the life he lost, nor prize ; But where his rude hut by the Danube lay, There were his young barbarians all at play, There was their Dacian mother, — he, their sire, Butchered to make a Roman holiday.
Сторінка 47 - Had we never loved sae kindly, Had we never loved sae blindly, Never met, or never parted, We had ne'er been broken-hearted.
Сторінка 38 - I was confirmed in this opinion, that he who would not be frustrate of his hope to write well hereafter in laudable things, ought himself to be a true poem...
Сторінка 120 - Nor love thy life, nor hate; but what thou liv'st Live well; how long or short, permit to Heaven: And now prepare thee for another sight.
Сторінка 9 - The future of poetry is immense, because in poetry, where it is worthy of its high destinies, our race, as time goes on, will find an ever surer and surer stay.
Сторінка 250 - The One remains, the many change and pass; Heaven's light forever shines, Earth's shadows fly ; Life, like a dome of many-coloured glass, Stains the white radiance of Eternity, Until Death tramples it to fragments.
Сторінка 23 - What though the field be lost? All is not lost; the unconquerable will, And study of revenge, immortal hate, And courage never to submit or yield: And what is else not to be overcome?
Сторінка 23 - Horatio, what a wounded name, Things standing thus unknown, shall live behind me. If thou didst ever hold me in thy heart, Absent thee from felicity awhile, And in this harsh world draw thy breath in pain, To tell my story.
Сторінка 132 - Must hear Humanity in fields and groves Pipe solitary anguish; or must hang Brooding above the fierce confederate storm Of sorrow, barricadoed evermore Within the walls of cities — may these sounds Have their authentic comment; that even these Hearing, I be not downcast or forlorn!