 | Nathaniel Hawthorne - 1888 - 272 стор.
...along the shadowy and sun-fleckered path. With every step she took, he expressed his joy at her nsarer and nearer presence by what might be thought an extravagance...always keeping in mind his singular resemblance to I he Faun of the Capitol. "If you are, in good truth, that wild and pleasant creature whose face you... | |
 | Nathaniel Hawthorne - 1899 - 320 стор.
...feeblyjujbstituted in the place of signsaml symbols: — He"gave Miriam the Idea of a beingTI6Tprecisely man, nor yet a child, but, in a high and beautiful...convey to the young man. "What are you, my friend F" she exclaimed, always keeping in mind his singular resemblance to the Faun of the Capitol. " If... | |
 | Nathaniel Hawthorne - 1902 - 476 стор.
...idea of a being not precisely man, nor yet a child, but, in a high and beautiful sense, an animal—a creature in a state of development less than what...that very deficiency. This idea filled her mobile imagina66 tion with agreeable fantasies, which, after smiling at them herself, she tried to convey... | |
 | R. W. B. Lewis - 1955 - 212 стор.
...recognition is the core of the story. To Miriam, stifled by her own enveloping history, Donatello appears as "a creature in a state of development less than what mankind has attained"; less than mankind, yet oddly more perfect; a "creature of simple elements," part animal and part child,... | |
 | Charles Swann - 1991 - 298 стор.
...reinforced by Miriam's idea of Donatello as "a being not precisely man, nor yet a child, but in a higher and beautiful sense, an animal; a creature in a state...more perfect within itself for that very deficiency" (916). Almost exactly like Abrams's Germans, Hawthorne offers Donatello as being in a state of primitive... | |
 | Robert S. Friedman - 2000 - 230 стор.
..."The Faun and the Nymph," begins, Miriam has "the idea of [Donatello] ... being not precisely man, not yet a child, but, in a high and beautiful sense, an...more perfect within itself for that very deficiency" (p. 916). Miriam believes that she is a corrupting influence on Donatello; she is not worthy of the... | |
 | Jennifer Mason - 2005 - 262 стор.
...humankind — and thus confounds traditional notions of human ascendancy. Donatello seems to Miriam "not precisely man, nor yet a child, but, in a high...more perfect within itself for that very deficiency" (78, emphasis added). Significantly, Miriam's reconsideration of her dismissal of Donatello as an inferior... | |
 | Nathaniel Hawthorne - 2006 - 294 стор.
...features, which, within a limited range of thought and emotion, would speak volumes in a moment. By and by, his own mood seemed to brighten Miriam's, and was...which, after smiling at them herself, she tried to cofivey to the young man. "What are you, my friend?" she exclaimed, always keeping in mind his singular... | |
 | Nathaniel Hawthorne - 2006 - 370 стор.
...features, which, within a limited range of thought and emotion, would speak volumes in a moment. By and by, his own mood seemed to brighten Miriam's, and was...which, after smiling at them herself, she tried to cofivey to the young man. "What are you, my friend?" she exclaimed, always keeping in mind his singular... | |
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With every step she took, he expressed his joy at her nearer and nearer presence by what might be thought an extravagance of gesticulation, but which doubtless was the language of the natural man, though laid aside and forgotten by other men, now that... 