seen forward on one side the stagethe palace towards the back on the other. Medea discovered lying, as she was left, upon the steps before the door, still overcome with the despair of her children's rejection. ther particulars furnished by the herald, Medea now adds, "that when, as he had said, she went back to take her right, the Fleece,' suddenly she heard an outcry behind her. She turned, and saw the king leap from his couch, howling with furious and frightful gestures and contortions. Ha! brother!' he cried, comest thou for vengeance?-vengeance upon me?-Once more shalt thou die! -yet once more !'--And onward springing, at me he catcheswhose hand bare the FleeceBut I trembled, and lifted my cry To the gods which I know -Holding the Fleece as a shield before me- -Then the grinning of madness deformed his faceWith shrieks the bindings he seized of his veins-They break! In gushes the life-stream pours And, as I look round me, horrorstiffening,- --Lo! at my feet the king,- -In his own blood weltering, -Cold and dead!" Medea had obtained permission from Jason, in their private conversation, to take one of her children with her in her exile. They who from the beginning give signs of having been brought up under the nurture of Gora, in a sort of wild and shy estrangement from both parents, occupied, it is to be supposed, with their own pas sions, cares, and griefs, neither attracting, nor perhaps much desiring childish endearments, have from the first moment attached themselves to the Corinthian princess, in marked prefer ence to their mother. That it may be put to their own option which shall go with her, she now conducts them to Medea, from whom, on the choice being proposed to them, they shrink together, seeking refuge with her rival, whom they can by no persuasion be induced to leave. It is from this spontaneous and unexpected rejection of her by her offspring, finishing her anguish, and wholly "changing her changing her milk for gall," that Grillparzer has drawn, as we understand him, the suggestion wholly, and in some part the resolution in her mind, to destroy them. The fourth Act, against our usage, but not possibly against either effect or law of the highest art, is that of the Catastrophe. The scene of the third still remains, the court before Jason's house. It is In abrupt and fitful converse with Gora, she begins, not intelligibly to her, and at first hardly to herself, as if she had no purpose in what she thought, to figure the actions of her revenge. Presently, as her will, soli cited, as it might seem, by her fancy, mixes more in the act of her intellect, she turns to lament, that self-depri ved of the means of her art, which, guarded by that token, pledge, and cause of her house's calamity which she has buried with them, she dreads to recover,-she is helpless. Opportune ly to the working of her mind, the King, having imagined a project for Jason, to which it seems important that he should be master of the Fleece, and found, upon inquiry, that he knows nothing of it, comes to demand this of her. From her answers he learns that it is in his own hands. For his servants, in digging for the place of an Altar to Jove, the Hospitable, to be raised where he and Jason had that day met, in most solemn acknow ledgment and sanction of their an cient and renewed alliance, have a little while before found, and brought him, Medea's chest. By his order it is now produced. She recognises it with a transport of joy,-promises, when she has opened it, which for the present she declines to do, to send the Fleece; and desires to add a gift for Creusa. The King hesitates, fearing to distress her, but on her assu→ rance that her means are ample, assents; and, having said that by his daughter's suggestion, to which he had at first objected, but from the calm and reasonable temper in which he finds her, does so no longer, her children will be brought to take their last farewell of her-leaves her. Alone with her treasure, with the consciousness of recovered strength awakes the full storm of deadly desires in her soul. Even Gora, who has thus far incessantly exerted herself in rousing her to revenge, becomes alarmed when she sees the terrible Magician resume her power. The nuptial gift, intended by Me dea for Creusa, whose former kindness, it must be said, has, since the plighting of her hand to Jason, become envenomed to her thoughts, appearing to her now only wily and deceitful blandishment, is the vessel spoken of in the first scene, among the contents of the chest, as filled with flames, ready to break forth and prey upon the unwary opener of it. Even as Gora holds it, supporting it awkwardly in part by the lid, from the slight aperture a tongue of flame darts out, which Medea sings back into its place. She places this vessel on a golden salver, and, covering it with the wished-for Fleece, and this with a rich mantle, gives it to Gora to carry in, who, shuddering with her anticipations, obeys. The children are now brought, and left with her, and her spirit darkens towards its last horrible act. Their replies discover the same sort of alienation from her, and love for her rival, which has before distracted her; but which, as the future impressed with her own will draws on, she bears, it seems, more tranquilly. It is growing late, and the younger boy is sleepy. She directs them to lie down on the steps of her house. The following lines, thrown in here, are very affecting: How carefully he leads along his brother, And now, their little arms enfolded close, Lies down with him to sleep.-Ill was he never ! The lines immediately subsequent, in which, in a sudden dream-like rest from her perturbations of anguish and passion, the vision of her former self, as of another, with other departed forms, shews itself to her, are full of genius. She is sitting opposite to her children, who sleep. Night is gradually coming on. Med. The night hath fall'n: the glittering stars come forth, When I think over to myself the tale With Friend! that cannot be ! She to whose soul Thou givest thoughts of death-lo! thou, erewhile, Didst let her wander in her own loved land, Lit with the gleam of even these gentle stars, As mild, as pure, as naked of all sin, As a child upon its mother's breast at play. -What will she on the forest-paths? She hies, Come nearer, let me look you in the face, Thou kind, good brother. Dost thou smile on me? [Starting from her seat. The tongue -Thou shalt be outcast, said'st thou, driven to roam On fire with her thoughts, she seeks to allay them in her children's embraces, whom she therefore, for that purpose, wakens. To remove what is to follow from the eyes of "the people," she bids them return to sleep within a colonnade, which opens obliquely upon the stage. A cry is heard from the palace:-a light is seen - and Medea knows that the first part of her vengeance is taken; which Gora, rushing out in horror, confirms. Apprehensive of interrup tion from longer delay, she now enters to where her children sleep. What has passed there appears, in the next instant, by the agony in which Gora, who, on missing, has followed her, returns; and by Medea herself immediately after crossing the stage with a dagger in one hand, with the other uplifted, enjoining silence. The concluding Act, which shows the Palace of Creon burnt to the ground, dismisses Gora to death, as guilty, in part, of that of Creusa,-and Jason, as a presence waited on by misfortune, into banishment from the Corinthian territory. Creon, from pronouncing these judgments, turns to the care of his daughter's obsequies, and "then, to everlasting mourning." We refrain from disturbing, with any remarks, the judgment of the singular scene, which shuts up together this Third Drama, and the Poem. A wild, solitary place, surrounded by wood and rocks, with a hut. How beautiful day rises!Bounteous Gods! In freshen'd beauty lifts your Sun his head. [Goes into the hut. JASON (who, in the conflagration of the Palace, has been wounded on the head Lo! here, the hut, which lent its sheltering roof, Came hither, full of new-awaken'd hopes. Only a drink!-only a place to die! The Countryman comes out. [Knocking. Countryman. Who knocks?-Poor man!-what art thou,-death like faint? Jas. But water!-Give me but to drink!-I am Jason. The Conqueror of the Fleece !—A prince: a king. The Argonauts' famed leader :-Jason I! Countryman. Jason thou art?-Betake thee quickly hence! Nor with thy foot pollute mine innocent house. The daughter of my king thou hast brought to death: Ask thou not succour at his people's door. [He goes in, and shuts the door. Jas. He goes, and leaves me lying by the way-side, Come, Death! I call thee. Take me to my children. He sinks upon the ground. MEDEA, entering past a rock, stands suddenly before him.-She wears the Golden Fleece as a mantle over her shoulders. Med. Jason! Jas. (supporting himself.) Who calls ?-Ha! do I see?—Is it thou? Horrible One!-Again appear'st thou to me? -My sword!-My sword! [He attempts to spring to his feet, but falls back. O grief!-My strengthless limbs Refuse their office!-Shatter'd!-crush'd!-o'erthrown! Med. Cease!for thou touchest me not. I am reserved Jas. What hast thou done with my children? Jas. Where hast thou them?-Speak! They are mine. They have found the place Where better 'tis with them than thee and me. Jas. Dead!-they are dead!- Worst ill to thee seems death. I know a sharper :-to live miserable. Had'st thou not prized life higher than life's worth, -To them 'tis spared. Jas. Thou say'st it, and art calm? Med. Calm?-Calm !-Were not to thee this bosom shut Still, as it ever was, thou shouldst see pain, Swallowing, in desolate night and horror wrapt, Thou, what falls on thee bear! For, sooth! not undeserved it falls on thee. For evermore. Lo! 'tis the last time, in all The ever-flowing ages, the last hour, That we two may change word with word, my husband! O, farewell!-After all our earliest joy, 'Mid the thick woes now night-like round us stretch'd, To the strange anguish, which the future bears, I say, farewell! Thou once espoused, and mine! A life of gloom and care is risen upon thee; But whatsoever may betide, endure: And be to suffer mightier than in deed. The Fleece, on which not the dread flames had power, And longer punishment of longer life. See! knowest thou the sign for which thou hast striven, Farewell, my husband! Jas. Bereaved and desolate! O my children! THE Star of Evening glitters in the West→→→ Seest thou the clear Star, 'mid the blue serene, 'Tis midnight, and I stand beneath the stars, The hallow'd fields of his nativity, From which broad waves and lands his step debar So turn I to thee, my beloved-more dear To my lorn heart, since thou art far away More dear to me in absence, grief, and fear, Than e'er thou wert in Fortune's sunniest day; Yearning I pine, (would Heaven that thou wert near!) |