 | 1823 - 732 стор.
...fall naturally in such or such circumstances, and the pictfretque and the fine followed as mattere of course. Hence the unaffected force and dignity...nature under impressive and momentous circumstances. The distraction of the face, the inclination of the head on one side, are as fine as possible, and... | |
 | William Hazlitt - 1824 - 210 стор.
...person would stand or fall naturally in such or such circumstances, and the picturesque and the_/?ne followed as matters of course. Hence the unaffected...nature under impressive and momentous circumstances. The distraction of the face, the inclination of the head on one side, are as fine as possible, and... | |
 | William Hazlitt - 1843 - 442 стор.
...be fine, and never discover it : Raphael only thought how a person would stand or fall naturally in such or such circumstances, and the picturesque and...nature under impressive and momentous circumstances. The distraction of the face, the inclination of the head on one side, are as fine as possible, and... | |
 | William Hazlitt - 1843 - 450 стор.
...person would stand or fall naturally in such or such circumstances, and the picturesque and the^ne followed as matters of course. Hence the unaffected...nature under impressive and momentous circumstances. The distraction of the face, the inclination of the head on one side, are as fine as possible, and... | |
 | 1843 - 376 стор.
...fall naturally in such and such circumstances, and the picturesque and the fine followed as a matter of course. Hence the unaffected force and dignity...nature under impressive and momentous circumstances." It will be necessary, therefore, to look closely to appearances, which are often specious and empty,... | |
 | Mrs. Jameson (Anna) - 1845 - 710 стор.
...find out what will be picturesque and what will be fine, and never discover it. Raphael only thought how a person would stand or fall under such or such...for truth and nature, under impressive and momentous circumstances.'1 We have here an instance of that truly Shakspearian art by which Raphael always softens... | |
 | Mrs. Jameson (Anna) - 1845 - 288 стор.
...circumstances, and the picturesque and the fine followed as a matter of course. Hence the unaffected fore« and dignity of his style, which are only another name...circumstances." We have here an instance of that truly Shaksperian art by which Raphael always softens and heightens the effect of tragic terror. St. John,... | |
 | William Hazlitt - 1856 - 446 стор.
...person would stand or fall naturally in such or such circumstances, and the picturesque and ihejine followed as matters of course. Hence the unaffected...nature under impressive and momentous circumstances. The distraction of the face, the inclination of the head on one side, are as fine as possible, and... | |
 | Anna Brownell Jameson - 1858 - 660 стор.
...stand or fall under such or such circumstances, and the picturesque and the fine followed as a matter of course. Hence the unaffected force and dignity...circumstances." We have here an instance of that truly Shaksperian art by which Raphael always softens and heightens the effect of tragic terror. St. John,... | |
 | 1870 - 586 стор.
...fall naturally in such and such circumstances, and the picturesque and the une followed аз а matter of course. Hence the unaffected force and dignity of his style, which are only other names for truth and nature under impressive and momentous circumstances." In the picture on this... | |
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Raphael's success. Most painters, in studying an attitude, puzzle themselves to find out what will be picturesque, and what will be fine, and never discover it : Raphael only thought how a person would stand or fall naturally in such or such circumstances,... 
