Specimens of NarrationWilliam Tenney Brewster H. Holt, 1895 - 209 стор. |
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Сторінка iii
... present a connected view of narration from the simplest forms to the more complex and technical aspects of the sub- ject . The introduction contains a brief statement of the theory of narration and suggestions to the teacher and student ...
... present a connected view of narration from the simplest forms to the more complex and technical aspects of the sub- ject . The introduction contains a brief statement of the theory of narration and suggestions to the teacher and student ...
Сторінка xiv
... present events with a view of building up a climax ; or to make clear the sequence of events ac- cording to cause and effect ; or , as in Browning's Dramatic Lyrics , events may be so chosen as to sug- gest what has taken place and what ...
... present events with a view of building up a climax ; or to make clear the sequence of events ac- cording to cause and effect ; or , as in Browning's Dramatic Lyrics , events may be so chosen as to sug- gest what has taken place and what ...
Сторінка xvi
... present more than an isolated and untangled fragment , a single grain of the vast sand- heap ; and no one narrative should attempt more than the refining of the atom of gold from the mass of iron pyrites . In any narrative which ...
... present more than an isolated and untangled fragment , a single grain of the vast sand- heap ; and no one narrative should attempt more than the refining of the atom of gold from the mass of iron pyrites . In any narrative which ...
Сторінка xxx
... ing with character , the student should select some familiar object , the newsboy or the common loafer , and present him as he appears to the measuring eye , as he appears to the reflecting mind , as he XXX INTRODUCTION .
... ing with character , the student should select some familiar object , the newsboy or the common loafer , and present him as he appears to the measuring eye , as he appears to the reflecting mind , as he XXX INTRODUCTION .
Сторінка xxxvi
... Present State of the French Novel . Essays on French Novelists . New York , 1891 . Saintsbury . The Present State of the English Novel . xxxvi BIBLIOGRAPHY .
... Present State of the French Novel . Essays on French Novelists . New York , 1891 . Saintsbury . The Present State of the English Novel . xxxvi BIBLIOGRAPHY .
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action Adam Bede Alan Amelia appeared Bareacres Barr-Saggott Beighton Born Brander Matthews Brussels captain carriage Chapter character cried Daniel Deronda David David Balfour dear Jane door dramatic Edited effect elements Elton Emma English exposition eyes face fact fiction Fletcher and Carpenter Frank Churchill French George George Eliot girl give Godfrey hand heard Henry James horses illustrated incident interest Isidor Jane Johnson Jupiter kind Kitty lady lance Legrand Longueville looked Lydgate Macneil massa material ment method Middlemarch mind Miss Beighton mood narration narrative never O'Dowd objective point opening Partial Portraits passage passed person plot purpose reader realism Rebecca romance round-house Samuel Johnson seemed selection short story Silas Marner sketch smile specimens Stevenson stranger structure student style sword tell things Thomas Hardy thought tion Tom Jones turned unity Weston whole wife words young ΙΟ
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Сторінка 158 - I drew near with that reverence which is due to a superior nature; and as my heart was entirely subdued by the captivating strains I had heard, I fell down at his feet and wept.
Сторінка 159 - that the tide I see rises out of a thick mist at one end and again loses itself in a thick mist at the other?" "What thou seest," said he, "is that portion of eternity which is called time, measured out by the sun and reaching from the beginning of the world to its consummation. Examine now," said he, "this sea that is thus bounded with darkness at both ends, and tell me what thou discoverest in it." "I see a bridge," said I, "standing in the midst of the tide.
Сторінка 159 - I see, said I, a huge valley, and a prodigious tide of water rolling through it. The valley that thou seest, said he, is the vale of misery, and the tide of water that thou seest is part of the great tide of eternity. What is the reason...
Сторінка 158 - Bagdat, in order to pass the rest of the day in meditation and prayer. As I was here airing myself on the tops of the mountains, I fell into a profound contemplation on the vanity of human life ; and passing from one thought to another, Surely, said I, man is but a shadow, and life a dream.
Сторінка 163 - The genius making me no answer, I turned about to address myself to him a second time, but I found that he had left me; I then turned again to the vision which I had been so long contemplating, but instead of the rolling tide, the arched bridge, and the happy islands, I saw nothing but the long hollow valley of Bagdat, with oxen, sheep, and camels grazing upon the sides of it.
Сторінка 160 - But tell me further, said he, what thou discoverest on it. I see multitudes of people passing over it, said I, and a black cloud hanging on each end of it. As I looked more attentively, I saw several of the passengers dropping through the bridge into the great tide that flowed underneath it; and upon...
Сторінка 158 - I was here airing myself on the tops of the mountains, I fell into a profound contemplation on the vanity of human life ; and passing from one thought to another, " Surely," said I, " man is but a shadow, and life a dream.
Сторінка 162 - Gladness grew in me upon the discovery of so delightful a scene. I wished for the wings of an eagle, that I might fly away to those happy seats ; but the genius told me there was no passage to them, except through the gates of death that I, saw opening every moment upon the bridge.
Сторінка 160 - Upon a more leisurely survey of it, I found that it consisted of threescore and ten entire arches, with several broken arches, which, added to those that were entire, made up the number about an hundred.
Сторінка 158 - I had ever heard. They put me in mind of those heavenly airs that are played to the departed souls of good men upon their first arrival in paradise, to wear out the impressions of the last agonies, and' qualify them for the pleasures of that happy place.