Documentary: The Margins of RealityWallflower, 2005 - 115 стор. In discussing films such as Touching the Void (2003), Capturing the Friedmans (2003) and the work of Nick Broomfield, this timely introduction to the growing field of documentary explores the definition and understanding of the form, as well as the relationship between documentary and drama, specifically the notion of reconstruction and re-enactment. Paul Ward also examines animated documentaries, the fertile meeting point of comedy and documentary modes, the ability of documentary to accurately represent historical events, and feature-length contemporary works that have achieved widespread cinematic release. |
Зміст
the great divide? | 31 |
the changing face of the historical documentary | 49 |
documentary and comedy | 67 |
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Загальні терміни та фрази
actors actually Aileen Wuornos animated documentaries animation techniques apparent argued audience Autism Battle of Orgreave Beethoven Big Brother Bill Nichols Brass Eye Broomfield Bruzzi camera Capturing the Friedmans chapter cinéma vérité clear clearly comedy commonsense communities of practice context conventions creative direct cinema discourse discussion docu docu-soap documen documentary films documentary practice documentary production drama documentary dramatic reconstruction dramatised draw emphasis example expository fiction and nonfiction fiction film film or programme film's Grierson happened important interactive interesting interviews Isaacs issues material mean mentary miners mock-documentary Nichols Nick Broomfield nonfiction film notion parody performance Peterloo Massacre Plantinga playing problem real world reality TV recognise reflexive relationship representation role satirical sense sequence Serial Killer simply social soundtrack specific spectators strategies style talk television things tion truth types of documentary typology understanding viewer voiceover Wuornos story
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