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Principles of Art: Pt. 1. Art in History; Pt. 2. Art in Theory
John Charles Van Dyke
Повний перегляд - 1887
advance antique appeared architecture artist Assyria beauty became began beginning better body brought called cause century character chief Christian Church civilization classic color conception critics death drama early earth effect Egyptian emotions established excellence existence expression eyes face facts feeling figures followed force France French genius gods Greece Greek hand human ideal ideas imagination imitation importance individual influence instance Italy knowledge known lacking language latter learning less light literature lived look manner means Michael Angelo mind movement nature never object original painter painting passed passion perfect period philosophy picture poet poetry position possessed present produced progress reason reflected religion religious Renaissance represented sculpture seen sense side spirit stone strength style subjects sublime symbolism things thought tion true truth turned whole
Сторінка 217 - Almighty's form Glasses itself in tempests; in all time, — Calm or convulsed, in breeze, or gale, or storm, Icing the pole, or in the torrid clime Dark-heaving — boundless, endless, and sublime, The image of eternity, the throne Of the Invisible; even from out thy slime The monsters of the deep are made; each zone Obeys thee; thou goest forth, dread, fathomless, alone.
Сторінка 219 - O'er the still radiance of the lake below ; Tranquil its spirit seemed and floated slow ; Even in its very motion there was rest ; While every breath of eve that chanced to blow Wafted the traveller to the beauteous west. Emblem, methought, of the departed soul, To whose white robe the gleam of bliss is given ; And by the breath of mercy made to roll Right onward to the golden gates of Heaven ; Where to the eye of Faith it peaceful lies, And tells to man his glorious destinies.
Сторінка 218 - O thou that rollest above, round as the shield of my fathers! Whence are thy beams, O sun! thy everlasting light? Thou comest forth, in thy awful beauty; the stars hide themselves in the sky; the moon, cold and pale, sinks in the western wave. But thou thyself movest alone: who can be a companion of thy course!
Сторінка 244 - No author, without a trial, can conceive of the difficulty of writing a romance about a country where there is no shadow, no antiquity, no mystery, no picturesque and gloomy wrong, nor anything but a commonplace prosperity, in broad and simple daylight, as is happily the case with my dear native land.
Сторінка 219 - Themselves in orisons ! Thou material God, And representative of the Unknown — Who chose thee for His shadow ! Thou chief star, Centre of many stars! which mak'st our earth Endurable, and temperest the hues And hearts of all who walk within thy rays ! Sire of the seasons ! Monarch of the climes, And those who dwell in them ! for near or far, Our inborn spirits have a tint of thee Even as our outward aspects; — thou dost rise, And shine, and set in glory.
Сторінка 197 - I find this conclusion more impressed upon me, — that the greatest thing a human soul ever does in this world is to see something, and tell what it saw in a plain way. Hundreds of people can talk for one who can think, but thousands can think for one who can see. To see clearly, is poetry, prophecy, and religion, — all in one.
Сторінка 224 - Winged with red lightning and impetuous rage, Perhaps hath spent his shafts, and ceases now To bellow through the vast and boundless Deep.
Сторінка 218 - THE sun-orb sings, in emulation, 'Mid brother-spheres, his ancient round: His path predestined through Creation He ends with step of thunder-sound. The angels from his visage splendid Draw power , whose measure none can say; The lofty works, uncomprehended, Are bright as on the earliest day. GABRIEL. And swift, and swift beyond conceiving, The splendor of the world goes round, Day's Eden-brightness still relieving The awful Night's intense profound: The ocean-tides in foam are breaking, Against the...
Сторінка 227 - Their dread commander ; he, above the rest In shape and gesture proudly eminent, Stood like a tower ; his form had yet not lost All her original brightness, nor appeared Less than archangel ruined, and the excess Of glory obscured...
Сторінка 13 - GREAT nations write their autobiographies in three manuscripts — the book of their deeds, the book of their words, and the book of their art. Not one of these books can be understood unless we read the two others ; but of the three, the only quite trustworthy one is the last. The acts of a nation may be triumphant by its good fortune ; and its words mighty by the genius of a few of its children : but its art, only by the general gifts and common sympathies of the race.