Ruskin: Modern painters. Of general principles and of truth. 5 v

Apennine artists beauty believe blue book of Job brown chapter character clouds color Correggio Dante Dante's dark delight divine drawing earth engraving evil expression exquisite fact faithlessness fallacy false farther feeling finish flowers Giotto give grass gray Greek grotesque ground happy heart hills Homer human idea ideal ideal art imagination imitation instance instinct kind landscape less light look Malebolge matter means medieval medieval art ment merely mind modern Molière mountain ness never noble observe painter painting passage passion pathetic fallacy Paul Veronese perfect pict picture Plate pleasure poet poetry Pre-Raphaelitism present principles purgatorial purple reader represented respecting rocks scene scenery Scott seems seen sense shadow simple Sophocles spirit Stones of Venice strength suppose things thought tion Titian trees true truth Turner Via Mala waves whole wood word