Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Том 70Gale Research Company, 1984 |
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Сторінка 199
... turn the myth on its head , suggesting that the god , so far from being frustrated when Daphne was turned into a laurel , was actu- ally pursuing her , with dendrophiliac intent , because she was turning into a very attractive plant ...
... turn the myth on its head , suggesting that the god , so far from being frustrated when Daphne was turned into a laurel , was actu- ally pursuing her , with dendrophiliac intent , because she was turning into a very attractive plant ...
Сторінка 312
... turn out , that is , orient himself to the circumference of auditors , if he were to be seen at all . This condition reinforced the conventional or ceremo- nial manner in acting . By turning out , the actor emphasized the stage as a set ...
... turn out , that is , orient himself to the circumference of auditors , if he were to be seen at all . This condition reinforced the conventional or ceremo- nial manner in acting . By turning out , the actor emphasized the stage as a set ...
Сторінка 319
... Turning address itself into yet another contest , their final farewell before the tournament again turns magnanimously competitive : PAL . You speak well . Before I turn , let me embrace thee , cousin . This I shall never do again . ARC ...
... Turning address itself into yet another contest , their final farewell before the tournament again turns magnanimously competitive : PAL . You speak well . Before I turn , let me embrace thee , cousin . This I shall never do again . ARC ...
Зміст
Character Studies | 8 |
Production Reviews | 46 |
Further Reading | 102 |
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Том 28 Перегляд фрагмента - 1984 |
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action actors Antony and Cleopatra Antony's apotrope Apuleius Athens audience Aumerle Bolingbroke Bottom Caesar character chard Cleo collaboration comedy comic context court critical crown cultural Cupid death Derek Jacobi drama Egeus Egypt Egyptian Elizabeth Elizabethan Emilia England English Enobarbus essay Essex fairies female film Folio Gaunt gender hath Henry Hermia Hippolyta homosocial honor imagery imagination king king's language London Lord lovers Lysander male marriage means ment metaphor Midsummer Night's Dream moon Mowbray narrative nature Noble Kinsmen Northumberland Oberon Octavius Palamon and Arcite patra performance Philostrate play play's Plutarch poetic political Pompey production Puck Pyramus Quarto queen Renaissance Richard Richard II role Roman Rome royal says scene seems sense sexual Shake Shakespeare speak speare speare's speech stage story style suggests theatre theatrical thee Theseus Theseus's things thou tion Titania tragedy tragic University Press Venus woman women words York York's