Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Том 70Gale Research Company, 1984 |
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Сторінка 20
... speak is to become a subject . But for women to speak is to threaten the system of differences which gives meaning to patriarchy . " 23 This is so for Cleo- patra . Like the women of the romances , she remains " in command , " as Inga ...
... speak is to become a subject . But for women to speak is to threaten the system of differences which gives meaning to patriarchy . " 23 This is so for Cleo- patra . Like the women of the romances , she remains " in command , " as Inga ...
Сторінка 144
... speak , he does not " Say " what the entertain- ments are . Instead , he says , " There is a breefe how many sports are rife [ sic ] : / Make choice of which your High- nesse will see first . " By having Lysander be the one who then ...
... speak , he does not " Say " what the entertain- ments are . Instead , he says , " There is a breefe how many sports are rife [ sic ] : / Make choice of which your High- nesse will see first . " By having Lysander be the one who then ...
Сторінка 244
... speak ill of the king , " Mowbray told Boling- broke of Richard's intention to punish them for their part in Radcot ... Speaking of Richard and the five appellant lords , Giles says , One he has executed , one is in the tower ...
... speak ill of the king , " Mowbray told Boling- broke of Richard's intention to punish them for their part in Radcot ... Speaking of Richard and the five appellant lords , Giles says , One he has executed , one is in the tower ...
Зміст
Character Studies | 8 |
Production Reviews | 46 |
Further Reading | 102 |
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Том 28 Перегляд фрагмента - 1984 |
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action actors Antony and Cleopatra Antony's apotrope Apuleius Athens audience Aumerle Bolingbroke Bottom Caesar character chard Cleo collaboration comedy comic context court critical crown cultural Cupid death Derek Jacobi drama Egeus Egypt Egyptian Elizabeth Elizabethan Emilia England English Enobarbus essay Essex fairies female film Folio Gaunt gender hath Henry Hermia Hippolyta homosocial honor imagery imagination king king's language London Lord lovers Lysander male marriage means ment metaphor Midsummer Night's Dream moon Mowbray narrative nature Noble Kinsmen Northumberland Oberon Octavius Palamon and Arcite patra performance Philostrate play play's Plutarch poetic political Pompey production Puck Pyramus Quarto queen Renaissance Richard Richard II role Roman Rome royal says scene seems sense sexual Shake Shakespeare speak speare speare's speech stage story style suggests theatre theatrical thee Theseus Theseus's things thou tion Titania tragedy tragic University Press Venus woman women words York York's