Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Том 70Gale Research Company, 1984 |
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Сторінка 38
... seen . Its contradictory insistence on see - able presence through its cancellation of that seeability constitutes the tactical reluctance of sight that is one more dimension of the unpredictability of the discursive subject of the ...
... seen . Its contradictory insistence on see - able presence through its cancellation of that seeability constitutes the tactical reluctance of sight that is one more dimension of the unpredictability of the discursive subject of the ...
Сторінка 82
... seen not only to express his deepest sense of self , but also to relate to the consequences of his life - choices . " It is possible - indeed , it was the classical view , which Plutarch tried hard to present - to see Mark Antony's life ...
... seen not only to express his deepest sense of self , but also to relate to the consequences of his life - choices . " It is possible - indeed , it was the classical view , which Plutarch tried hard to present - to see Mark Antony's life ...
Сторінка 101
... seen " burst its buckles " in the military sphere ) : the heart that in turn contained a million more hearts in the bodies of the troops contained by the military ethos and the force of Antony's leadership ; those same hearts that now ...
... seen " burst its buckles " in the military sphere ) : the heart that in turn contained a million more hearts in the bodies of the troops contained by the military ethos and the force of Antony's leadership ; those same hearts that now ...
Зміст
Character Studies | 8 |
Production Reviews | 46 |
Further Reading | 102 |
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Том 28 Перегляд фрагмента - 1984 |
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action actors Antony and Cleopatra Antony's apotrope Apuleius Athens audience Aumerle Bolingbroke Bottom Caesar character chard Cleo collaboration comedy comic context court critical crown cultural Cupid death Derek Jacobi drama Egeus Egypt Egyptian Elizabeth Elizabethan Emilia England English Enobarbus essay Essex fairies female film Folio Gaunt gender hath Henry Hermia Hippolyta homosocial honor imagery imagination king king's language London Lord lovers Lysander male marriage means ment metaphor Midsummer Night's Dream moon Mowbray narrative nature Noble Kinsmen Northumberland Oberon Octavius Palamon and Arcite patra performance Philostrate play play's Plutarch poetic political Pompey production Puck Pyramus Quarto queen Renaissance Richard Richard II role Roman Rome royal says scene seems sense sexual Shake Shakespeare speak speare speare's speech stage story style suggests theatre theatrical thee Theseus Theseus's things thou tion Titania tragedy tragic University Press Venus woman women words York York's