Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Том 70Gale Research Company, 1984 |
З цієї книги
Результати 1-3 із 90
Сторінка 67
... language have tended to be either technical and descriptive or devoted to the general poetic effect of the language , particularly the imagery . ' Here I wish to study not the general effect but the specific func- tion of the language ...
... language have tended to be either technical and descriptive or devoted to the general poetic effect of the language , particularly the imagery . ' Here I wish to study not the general effect but the specific func- tion of the language ...
Сторінка 76
... language , rhythm , and rhetorical habit , hop- ing to contribute to an understanding of how character is embedded in language . I do believe that in these terms we can better understand how Shakespeare obtains his ef- fects -- and what ...
... language , rhythm , and rhetorical habit , hop- ing to contribute to an understanding of how character is embedded in language . I do believe that in these terms we can better understand how Shakespeare obtains his ef- fects -- and what ...
Сторінка 95
... language faces an onerous burden of proof , the more so when the play under discussion is Antony and Cleopatra . The play's lushness of figurative language has attracted hosts of both New Critics and traditional philologists . Many have ...
... language faces an onerous burden of proof , the more so when the play under discussion is Antony and Cleopatra . The play's lushness of figurative language has attracted hosts of both New Critics and traditional philologists . Many have ...
Зміст
Character Studies | 8 |
Production Reviews | 46 |
Further Reading | 102 |
Авторські права | |
11 інших розділів не відображаються
Інші видання - Показати все
Shakespearean Criticism: Excerpts from the Criticism of William ..., Том 28 Перегляд фрагмента - 1984 |
Загальні терміни та фрази
action actors Antony and Cleopatra Antony's apotrope Apuleius Athens audience Aumerle Bolingbroke Bottom Caesar character chard Cleo collaboration comedy comic context court critical crown cultural Cupid death Derek Jacobi drama Egeus Egypt Egyptian Elizabeth Elizabethan Emilia England English Enobarbus essay Essex fairies female film Folio Gaunt gender hath Henry Hermia Hippolyta homosocial honor imagery imagination king king's language London Lord lovers Lysander male marriage means ment metaphor Midsummer Night's Dream moon Mowbray narrative nature Noble Kinsmen Northumberland Oberon Octavius Palamon and Arcite patra performance Philostrate play play's Plutarch poetic political Pompey production Puck Pyramus Quarto queen Renaissance Richard Richard II role Roman Rome royal says scene seems sense sexual Shake Shakespeare speak speare speare's speech stage story style suggests theatre theatrical thee Theseus Theseus's things thou tion Titania tragedy tragic University Press Venus woman women words York York's