Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Том 70Gale Research Company, 1984 |
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Сторінка 159
... fairies themselves have a mythic parallel in the unseen servitors who wait on Psyche and provide her with every need and luxury ( V.3 ; 46 ) . That Shakespeare would translate these creatures to fairies follows the practice of English ...
... fairies themselves have a mythic parallel in the unseen servitors who wait on Psyche and provide her with every need and luxury ( V.3 ; 46 ) . That Shakespeare would translate these creatures to fairies follows the practice of English ...
Сторінка 191
... fairies further parallel the Homeric gods , who , as symbols of forces beyond human control , are regularly assigned responsibil- ity for the behavior of nature and of humans . As for lending aid to humans , the fairies , again unlike ...
... fairies further parallel the Homeric gods , who , as symbols of forces beyond human control , are regularly assigned responsibil- ity for the behavior of nature and of humans . As for lending aid to humans , the fairies , again unlike ...
Сторінка 196
... fairies , no less than Theseus , carry the burden of a dark history . Shakespeare's fairies , indeed , are miniature , pretty creatures , but to say this is very like saying that Shakespeare's Theseus is a benign figure . We can no ...
... fairies , no less than Theseus , carry the burden of a dark history . Shakespeare's fairies , indeed , are miniature , pretty creatures , but to say this is very like saying that Shakespeare's Theseus is a benign figure . We can no ...
Зміст
Character Studies | 8 |
Production Reviews | 46 |
Further Reading | 102 |
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Том 28 Перегляд фрагмента - 1984 |
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action actors Antony and Cleopatra Antony's apotrope Apuleius Athens audience Aumerle Bolingbroke Bottom Caesar character chard Cleo collaboration comedy comic context court critical crown cultural Cupid death Derek Jacobi drama Egeus Egypt Egyptian Elizabeth Elizabethan Emilia England English Enobarbus essay Essex fairies female film Folio Gaunt gender hath Henry Hermia Hippolyta homosocial honor imagery imagination king king's language London Lord lovers Lysander male marriage means ment metaphor Midsummer Night's Dream moon Mowbray narrative nature Noble Kinsmen Northumberland Oberon Octavius Palamon and Arcite patra performance Philostrate play play's Plutarch poetic political Pompey production Puck Pyramus Quarto queen Renaissance Richard Richard II role Roman Rome royal says scene seems sense sexual Shake Shakespeare speak speare speare's speech stage story style suggests theatre theatrical thee Theseus Theseus's things thou tion Titania tragedy tragic University Press Venus woman women words York York's