Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Том 70Gale Research Company, 1984 |
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Сторінка 60
... comic exposure , especially since Rome makes no al- lowance for the private , natural man . Personal feelings and relations , along with all loyalties , are subsumed under public affairs and ambitions . Octavia is immaculate , but she ...
... comic exposure , especially since Rome makes no al- lowance for the private , natural man . Personal feelings and relations , along with all loyalties , are subsumed under public affairs and ambitions . Octavia is immaculate , but she ...
Сторінка 61
... comic patterns in the two plays . In Henry IV , there is no reconciliation on the comic level . As C. L. Barber points out regarding the famous rejection , " Hal's lines , redefining his holiday with Falstaff as a dream , and then ...
... comic patterns in the two plays . In Henry IV , there is no reconciliation on the comic level . As C. L. Barber points out regarding the famous rejection , " Hal's lines , redefining his holiday with Falstaff as a dream , and then ...
Сторінка 104
... comic design , a number of critics have also identified within A Midsummer Night's Dream darker undertones . Theseus refers to a war with the Amazons in which he conquered his wife Hippolyta , and Titania's interlude with Bottom , who ...
... comic design , a number of critics have also identified within A Midsummer Night's Dream darker undertones . Theseus refers to a war with the Amazons in which he conquered his wife Hippolyta , and Titania's interlude with Bottom , who ...
Зміст
Character Studies | 8 |
Production Reviews | 46 |
Further Reading | 102 |
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Том 28 Перегляд фрагмента - 1984 |
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